THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

Mark Haddon

Simon Stephens

Hannah Goodwin

Hannah Goodwin (she/her) is a director who lives and works on Gadigal land. She is currently Resident Director at Belvoir Street Theatre. Her work includes Wayside Bride by Alana Valentine (Belvoir), Light Shining in Buckinghamshire by Caryl Churchill (Belvoir), The Sorry Mum Project by Pippa Ellams (National Theatre of Parramatta, Bondi Feast), A Girl in School Uniform (Walks into a Bar) by Lulu Raczka (Kings Cross Theatre), and The Carousel by Pippa Ellams (Shopfront Arts Co-op, Downstairs Belvoir, Merrigong X, Kings Cross Theatre). As assistant director: Black Brass by Mararo Wangai (Belvoir), Stop Girl by Sally Sara (Belvoir), My Brilliant Career by Kendall Feaver (Belvoir), Packer and Sons by Tommy Murphy (Belvoir), and Love by Patricia Cornelius (Darlinghurst Theatre Company).

Hannah was the 2020-2022 Andrew Cameron Fellow at Belvoir and the 2019 recipient of the ATYP Rose Byrne Leadership Scholarship.

Nicholas Brown

Genevieve Lemon

Brandon McClelland

Brandon graduated from the National Institute of Dramatic Art in 2012. Brandon’s theatre credits include: Wayside Bride, Light Shining in Buckinghamshire, and Packer & Sons, with Belvoir; The Deep Blue Sea, A Cheery Soul, Saint Joan, Three Sisters, The Present (Broadway Season), A Midsummers Night’s Dream, The Golden Age, The Present, Suddenly Last Summer, and M.Rock, with Sydney Theatre Company; Girl in the Machine, and Flight Paths, with National Theatre of Parramatta; Who’s Afraid of Virginia Woolf, with Ensemble; Little Borders, with Old 505; Fracture, with New Ghosts Theatre Company; and A Town Named Warboy, with ATYP.

Brandon’s film credits include, Jennifer Kent’s The Nightingale, Roger Pulvers’ Star Sand, James Vanderbilt’s Truth, and Darby Deck’s short films Waking Moon and Walk Right In. His television credits include Significant Others, The Moth Effect, Doctor Doctor, The Other Guy, Black Comedy, Operation: Buffalo, Here Come the Habibs!, Love Child, Anzac Girls,and Devil’s Playground. Brandon can most recently be seen in Fremantle Media’s Totally Completely Fine as ‘Hendrix’. He is also a founding member and performer with comedy troupe ‘The United States of Kensington’. Brandon was twice-nominated for Best Supporting Actor in a Mainstage Production from the Sydney Theatre Awards for Packer & Sons and Who’s Afraid of Virginia Woolf. He also received a 2015 Logie Award nomination for Most Outstanding Newcomer, was shortlisted for the 2015 Heath Ledger scholarship, and won The Equity Award for an Outstanding Performance by an Ensemble in a Drama Series, both for Anzac Girls.

Daniel R. Nixon

Brigid Zengeni

Brigid trained at Drama Centre London and has been a professional actor for 25 years. Her professional work spans television, theatre, radio and film. She has worked extensively in theatres such as The National and The RSC to The Lincoln Centre in New York.

Brigid was last seen in Blithe Spirit at Sydney Theatre Company. Her other selected theatre credits include Death Of A Salesman at STC, The Welkin at the National Theatre I’m Not Running directed by Neil Armfield, A Christmas Carol at RSC, Romeo & Juliet, Yerma, The Duchess Of Malfi, Volpone, Pandora, The Hyperchondriac, Dr Faustus, Three Sisters, Two Gentlemen Of Verona, Oliver Twist, and Twelfth Night.

In film, Brigid was most recently seen in The Good Liar, directed by Bill Condon. Other film credits include U Want Me 2 Kill Him?, The Hardest Part, and The Cry. Brigid’s selected television credits include Motherfatherson, with Richard Gere and Helen McCrory, Trying, Fortitude, House Of Anubis, Sherlock, and People Just Do Nothing.

Kelsey Lee

Kelsey is a lighting, set and costume designer for theatre and film. Lighting design credits include Blue (Belvoir), as associate lighting designer, A Room of One’s Own (Belvoir); Extinction of The Learned Response, Skyduck, Kasama Kita (Belvoir 25A); Sex Magick and Whitefella Yella Tree as co-designer(Griffin Theatre Company); Comedy of Errors (Bell Shakespeare); Unqualified 2: Still Unqualified, A Letter for Molly, Killing Katie and Outdated (Ensemble Theatre); Queen Fatima (NTofP with Sydney Festival); April Aardvark (ATYP); Good Dog, If We Got Some More Cocaine I Could Show You How I Love You (Greendoor Theatre Company); I’m With Her (Darlinghurst Theatre Company). Kelsey designed the lighting, set and costumes for Wilfred Gordon McDonald Partridge, There’s A Sea In My Bedroom (ACO); Jali (Aya Productions and Griffin Theatre Company); Lulu: A Modern Sex Tragedy (NIDA), Destroy, She Said (Belvoir 25A) which won a Sydney Theatre Award for Design.

Her other credits include Set design for A Practical Guide to Self Defence and Nothing (National Theatre of Parramatta), Catch Me If You Can (Hayes Theatre).

Alyx Dennison

Alyx Dennison is a singer, composer and sound designer living and working on Gadigal Land. She is a fierce advocate for equality in education and the arts, with a particular interest in work which illuminates (and works to dissolve) systems of class, power and hierarchy.

She cut her teeth on experimental pop duo kyü, who toured extensively and released two critically acclaimed albums (Popfrenzy/Inertia) before disbanding in 2012. She continued her study of classical and experimental vocal traditions abroad as well as some studies in Interactive Composition at the VCA before joining Nick Wales’ ensemble for Shaun Parker Company’s “Am I” (as vocalist and multi-instrumentalist) which toured internationally. In 2015, she released and toured her self-titled solo LP (Popfrenzy/Caroline) which was lauded as an evolution from her previous work. 

She has performed at Meredith Music Festival, Mona Foma, Carriageworks, The State Theatre and played with acts such as LAMB (UK), Sarah Blasko, Juana Molina (Argentina), Xiu Xiu (US) and Deradoorian of The Dirty Projectors (US).

Alyx’s composition and sound design credits for stage include; “Grey Rhino” by Charmene Yap and Cass Mortimer Eipper for Sydney Festival/Carriageworks 2022, “Limbic” by Cass Mortimer Eipper for Australasian Dance Collective 2022; “The Mother Project” a multi-disciplinary work directed by Clemence Williams 2022; for Agatha Gothe-Snape; “The Outcome is Certain” 2020 and “Wet Matter” 2020 (lead by Evelyn Morris) for MUMA,“Double Beat” by Sara Black for Form Dance Projects 2019-2022; for Griffin Theatre Company: “Splinter” by Hilary Bell and directed by Lee Lewis 2019 and “Superheroes” by Mark Rogers and directed by Shari Sebbens 2020 (associate to Dave Bergman); for Karul Projects: “Mi:wi” by Taree Sansbury for Next Wave Festival 2018, “WOLLUMBIN / / WARNING” 2017 and “CO_EX_EN” by Thomas E.S. Kelly for Dance Massive 2019, “Story Club Solo” by Zoe Norton-Lodge for Sydney Opera House 2017. Film credits include; “Nataptedi” by Yolanda Lowatta for Art_Apart 2022; “Liminal” for Australasian Dance Collective 2020 and “ID” for Transit Dance Company 2020 – both choreographed and directed by Cass Mortimer Eipper; a series of short films born of Liverpool Girls’ Highschool’s Refugee Art Project, and “Outbreak Generation” by Brooke Goldfinch which premiered at Sydney Film Festival in 2017.

She has performed in works by internationally renowned artists such as Agatha Gothe-Snape, Oliver Beer (UK), Patricia Piccinini, Lauren Brincat; and has performed alongside legendary new music vocalist Joan La Barbara (NY), and has appeared in works presented at The Art Gallery of NSW, The Bienale of Sydney, Liveworks Festival of Experimental Art, National Gallery of Australia, MONA and Opéra National de Paris.  She has cultivated a practice that enables her love (and compulsion for) experimentation, connection and collaboration, and is honoured to be joining the Belvoir family for Rep Season.