THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

Mark Haddon

Simon Stephens

Hannah Goodwin

Hannah Goodwin (she/her) is a director who lives and works on Gadigal land. She is currently Resident Director at Belvoir Street Theatre. Her work includes Wayside Bride by Alana Valentine (Belvoir), Light Shining in Buckinghamshire by Caryl Churchill (Belvoir), The Sorry Mum Project by Pippa Ellams (National Theatre of Parramatta, Bondi Feast), A Girl in School Uniform (Walks into a Bar) by Lulu Raczka (Kings Cross Theatre), and The Carousel by Pippa Ellams (Shopfront Arts Co-op, Downstairs Belvoir, Merrigong X, Kings Cross Theatre). As assistant director: Black Brass by Mararo Wangai (Belvoir), Stop Girl by Sally Sara (Belvoir), My Brilliant Career by Kendall Feaver (Belvoir), Packer and Sons by Tommy Murphy (Belvoir), and Love by Patricia Cornelius (Darlinghurst Theatre Company).

Hannah was the 2020-2022 Andrew Cameron Fellow at Belvoir and the 2019 recipient of the ATYP Rose Byrne Leadership Scholarship.

Nicholas Brown

NIDA trained NICHOLAS BROWN has forged an impressive international career across film, television and theatre as an actor, singer, writer, and leading man with lead roles in Bollywood, Shakespeare, Underbelly, Comedy, Drama and as a much-loved ABC Play School presenter. Nicholas is an actor of astonishing range, versatility, and charisma.

Most recently appearing in the films A Perfect Pairing (Netflix) and Christmas On The Farm (Stan), other films include: Laka, Sedition, Dance Academy, Pratichhaya, Unindian, Random 8, Love You To Death, Kites, A Man’s Gotta Do, Temptation. For TV: Fake, NCIS: Sydney, In Our Blood, The PM’s Daughter, Upright, After The Verdict, Joe Vs Carole, Amazing Grace, Wakefield, The Unlisted, Harrow, The Letdown, Play School, The Code 2, The Elegant Gentlemen’s Guide To Knife Fighting, Mr And Mrs Murder, Home & Away, Packed to the Rafters, Underbelly: The Man Who Got Away, City Homicide, The Cooks and White Collar Blue. Recent theatre includes Edmond in Bernhardt Hamlet and Petruchio in Taming of the Shrew for Queensland Theatre and Come From Away for New Theatricals. Other theatre includes Belvoir’s Counting And Cracking and for STC, The Long Forgotten Dream and Still Point Turning. As Writer, for Griffin: Sex Magick and Lighten Up, for TV The Unlisted, The Wonder Gang, Play School and winner of the Nick Enright Prize for Playwriting  – 2024 NSW Premier’s Literary Award for Sex Magick.

Nicholas has also been lead singer, written and recorded with several bands including The Modernists and Luck Now.

Roy Joseph

Roy Joseph is best known for his work as Harry, one of the lead roles in popular Paramount Plus television series, Five Bedrooms. He has appeared in the series across all four seasons.

In other television work, Roy was most recently seen in the Binge Original, Strife, alongside Asher Keddie. He was also seen in ABC’s Back in Very Small Business in the role of Vijay Kapoor. He will next be seen in ABC’s Return to Paradise, SBS’s Four Years and Binge’s The Last Anniversary.

Roy was most recently seen on stage in Shitty at Belvoir’s 25a. He is a 2017 graduate of the prestigious Western Australian Academy of Performing Arts (WAAPA). Credits include The Dairy of Anne Frank, The Threepenny Opera, Twelfth Night (WAAPA). He will next be seen in Curious Incident of the Dog in the Night Time at Belvoir.

Tracy Mann

Belvoir: My Brilliant Career, Reuben Guthrie (original production), The Malevolence.
Other theatre: Sydney Theatre Company: Blythe Spirit, Home, I’m Darling, Noises Off, Embers,
The Beauty Queen of Leenane, Two Weeks with the Queen, The Removalists. Seymour Centre:
Made to Measure, Inside Out. Ensemble: Relatively Speaking, At Any Cost, The Heidi Chronicles.
Force Majeure: Never Did Me Any Harm. MTC: Don Parties On. Hothouse:Embers, Inside Out.
Griffin Theatre: Burning. Malthouse: Minefields & Miniskirts. Old Fitz: Last One Standing. SATC:
Gary’s House, The Removalists, Carrying Light. Perth Theatre Co: Dead Funny.
Film: Angel of Mine, Top End Wedding, Felony, Any Questions for Ben, Sleeping Beauty, Hating
Alison Ashley, On Guard, The Scarecrow, Going Down, Hard Knocks.
Television: Five Bedrooms, Rake, Wonderland, Laid, East ofEverything, Chifley’s Fifty Days, The
Brush Off, MDA, Noah & Saskia, Janus, GP, The Boys from the Bush, Skirts, The Four Minute Mile,
The True Believers, Cyclone Tracy, Sword of Honour, The Cowra Breakout, Sweet & Sour, Prisoner,
The Box.
Awards: 1986 Logie Award for Most Popular Actress (Sword of Honour), 1980 AFI Best Actress
Award (Hard Knocks), 1980 Sammy Award Best New Talent (Hard Knocks).

Brandon McClelland

Brandon graduated from the National Institute of Dramatic Art in 2012. Brandon’s theatre credits include: Wayside Bride, Light Shining in Buckinghamshire, and Packer & Sons, with Belvoir; The Deep Blue Sea, A Cheery Soul, Saint Joan, Three Sisters, The Present (Broadway Season), A Midsummers Night’s Dream, The Golden Age, The Present, Suddenly Last Summer, and M.Rock, with Sydney Theatre Company; Girl in the Machine, and Flight Paths, with National Theatre of Parramatta; Who’s Afraid of Virginia Woolf, with Ensemble; Little Borders, with Old 505; Fracture, with New Ghosts Theatre Company; and A Town Named Warboy, with ATYP.

Brandon’s film credits include, Jennifer Kent’s The Nightingale, Roger Pulvers’ Star Sand, James Vanderbilt’s Truth, and Darby Deck’s short films Waking Moon and Walk Right In. His television credits include Significant Others, The Moth Effect, Doctor Doctor, The Other Guy, Black Comedy, Operation: Buffalo, Here Come the Habibs!, Love Child, Anzac Girls,and Devil’s Playground. Brandon can most recently be seen in Fremantle Media’s Totally Completely Fine as ‘Hendrix’. He is also a founding member and performer with comedy troupe ‘The United States of Kensington’. Brandon was twice-nominated for Best Supporting Actor in a Mainstage Production from the Sydney Theatre Awards for Packer & Sons and Who’s Afraid of Virginia Woolf. He also received a 2015 Logie Award nomination for Most Outstanding Newcomer, was shortlisted for the 2015 Heath Ledger scholarship, and won The Equity Award for an Outstanding Performance by an Ensemble in a Drama Series, both for Anzac Girls.

Daniel R. Nixon

Daniel will be making his Belvoir debut in THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME in the role of Christopher Boone. He is most notably known for originating the title role of Drizzle Boy in Queensland Theatre Company’s award-winning production of DRIZZLE BOY, a role which he will revisit for a national tour in 2024. A proud neurodivergent actor, Daniel is a recent graduate from the Victorian College of the Arts with a Bachelor of Fine Arts in Music Theatre. Since immigrating from Bournemouth (England) to Perth, Daniel studied Music Theatre at WAAPA in 2016 before relocating to

Melbourne in 2017 to commence his BFA training at the VCA. Whilst training, his credits include FLORA: THE RED MENACE, A CHORUS LINE, ON THE TOWN and was also twice a featured soloist for the Arts Centre Melbourne’s MORNING MELODIES at Hamer Hall. Following his graduation Daniel has since appeared in AS YOU LIKE IT, URINETOWN, DRIZZLE BOY, and most recently BILLY ELLIOT THE MUSICAL in the role of Tony.

Daniel is the grateful recipient of the 2018 Cassidy Bequest Scholarship for excellence in Music Theatre at the VCA and is also an active MEAA diversity and disability equity member. 

Matilda Ridgway

Matilda is an award-winning actor, director, theatre maker and arts educator. She is a proud member
of MEAA.

Matilda’s credits at Belvoir include Master and Margarita (2023), Rep Season (2022), Artists at
Work (2020), and Jasper Jones (2016). Her other theatre credits include Notre Dame (Brandenburg
Orchestra); Just Romeo and Juliet!, Just Macbeth!, Hamlet, Henry IV, and The Players (Bell
Shakespeare); The Norman Conquests Trilogy, Proof, Seminar, My Wonderful Day, Rain Man,
Brooklyn Boy, Ruby Sunrise (Ensemble Theatre); Platonov, and Sweet Nothings (ATYP); The
Merchant of Venice, A Doll’s House, The Crucible, A Midsummer Nights Dream and Much Ado
About Nothing (Sport for Jove) The Bitter Tears of Petra Von Kant, Kayak, Cock and Sprout (Old
Fitzroy Theatre).

Her film credits include the TV series Hiding (ABC), Bump (Stan) and the films June Again, Book
Week, Disclosure, Tomorrow, and Tomorrow, and Tomorrow, The Guests and Memorabilia.
The Guests was nominated for the Palme D’Or at the Cannes Film festival. Disclosure was
nominated for the ‘Best Indie Film’ at the 2021 AACTA Awards. Matilda won ‘Best Performance in
an Australian Short Film’ at the Flickerfest International Short Film Festival for her role in
Tomorrow, and Tomorrow, and Tomorrow. She has been nominated for three Sydney Theatre
Awards and won for her performance of Nora in A Dolls House.

Ariadne Sgouros

Ariadne Sgouros graduated from NIDA in 2017 with a Bachelor of Fine Arts in Acting.

Most recently Ariadne has been on stage in Belvoir’s production of Scenes from the Climate Era,
Never Closer (Belvoir 25a) and in Shitty (Belvoir 25a).

During her time at NIDA, Ariadne performed in A Midsummer Night’s Dream, Eurydike and Orpheus,
and The Show That Smells. Since leaving NIDA, Ariadne has been involved in a series of
KXTeethCutting readings at the Kings Cross Theatre, as well as The Divorce Party and Love, Me (The
Old 505), Before the Meeting and The Shifting Heart (White Box Theatre) and What The Butler Saw
and This Bitter Earth (New Theatre).

On screen, Ariadne has been involved in a number of AFTRS short films, including The Retreat,
Reunion, and Gorgon, in which she speaks Greek. Ariadne also recently appeared on Home and Away
and in Strife on Binge.

Brigid Zengeni

Brigid was last seen in Midsummer Night’s Dream at Belvoir and is delighted to be back. Her other selected theatre credits include The Seagull, Do Not Go Gentle, Death of a Salesman and Blithe Spirit at STC, The Welkin, I’m Not Running, Twelfth Night, A Winter’s Tale at the National Theatre, Two Gentlemen of Verona , A Christmas Carol, Julius Caesar (international tour) at the RSC, Romeo & Juliet, Yerma, Three Sisters, The Duchess of Malfi, Volpone, Pandora, The Hyperchondriac, Pericles, Macbeth, DR FAUSTUS, Oliver Twist, Taming of the Shrew (Southern Shakespeare Festival, USA)
Selected film credits include: Jimpa, Better Man, Monolith, The Good Liar, U Want Me To Kill Him?, The Hardest Part, and The Cry. Brigid’s selected television credits include Missing You, Prosper, Artful Dodger, Bay of Fires, Motherfatherson, Love Me (Season 2), The Secrets She Keeps (season 2), Motherland, The Messenger, Bump (Season 2), Trying, Fortitude, House of Anubis, Sherlock, People Just Do Nothing, Holby City, The Bill, A Touch of Frost, Casualty.

Zoë Atkinson

Zoë Atkinson studied Scenography at The Prague Academy of The Performing Arts, The International Institute of Figurative Theatre (Czech Republic), and at the Institute International de la Marionette in France, under Josef Svoboda. Since returning to Australia in 1997 she has designed for theatre, dance, puppetry, opera and museums. Most recent works include Cloudstreet and The Return (Malthouse Theatre), Perth International Arts Festival’s The Museum of Water with English Artist Amy Sharrocks, Ghost in My Suitcase (Barking Gecko Theatre), Xenides: the Musical, The Chery Orchard and York (Black Swan State Theatre Company), Hecate (Yirra Yaakin Theatre). Zoe was Artistic Associate and Designer for PIAF’s 2017 opening event Booma Waanginy which was presented again in 2019.

Kelsey Lee

Kelsey is a lighting, set and costume designer for theatre, dance and events. Previously for Belvoir she was the Lighting Designer for Curious Incident of the Dog in the Nighttime, A Room of One’s Own; and Associate Lighting Designer for Blue, At What Cost?. Other credits include Lighting Designer: Mutiara (Marrugeku); Gurr Era Op (Force Majeure); The Lewis Trilogy; Sex Magick; Whitefella Yella Tree (Griffin Theatre Company), The Comedy Of Errors (Bell Shakespeare); Tell Me On A Sunday (Hayes Theatre); Masterclass; The Memory of Water; A Letter For Molly (Ensemble Theatre); Queen Fatima (NToP); Jali (Aya Productions, Griffin Theatre Company); Extinction of the Learned Response, Skyduck, Kasama Kita (Belvoir 25A); April Aardvark (ATYP); Good Dog; If We Got Some More Cocaine I Could Show You How I Love You (Greendoor Theatre Company). Set & Costume Designer Somos (Sydney Dance Company). Set Designer: Nothing; A Practical Guide To Self Defence (NTofP). Costume Designer: Silence and Rapture (Sydney Dance Company & ACO), Switzerland (Ensemble Theatre). Co-production Designer & Lighting Designer: Destroy, She Said (Belvoir’s 25A). Set & Lighting Designer: An Ox Stand On My Tongue (Belvoir 25A). Lighting, Set & Costume: Lulu: A Modern Sex Tragedy (NIDA), Wilfred Gordon McDonald Partridge (ACO). Associate Lighting Designer Cut The Sky (Marrugeku). 

Alyx Dennison

Alyx Dennison is a singer, composer and sound designer living and working on Gadigal Land. She is a fierce advocate for equality in education and the arts, with a particular interest in work which illuminates (and works to dissolve) systems of class, power and hierarchy.

She cut her teeth on experimental pop duo kyü, who toured extensively and released two critically acclaimed albums (Popfrenzy/Inertia) before disbanding in 2012. She continued her study of classical and experimental vocal traditions abroad as well as some studies in Interactive Composition at the VCA before joining Nick Wales’ ensemble for Shaun Parker Company’s Am I (as vocalist and multi-instrumentalist) which toured internationally. In 2015, she released and toured her self-titled solo LP (Popfrenzy/Caroline) which was lauded as an evolution from her previous work. 

She has performed at Meredith Music Festival, Mona Foma, Carriageworks, The State Theatre and played with acts such as LAMB (UK), Sarah Blasko, Juana Molina (Argentina), Xiu Xiu (US) and Deradoorian of The Dirty Projectors (US).

Alyx’s composition and sound design credits for stage include; Grey Rhino by Charmene Yap and Cass Mortimer Eipper for Sydney Festival/Carriageworks 2022, Limbic by Cass Mortimer Eipper for Australasian Dance Collective 2022; The Mother Project a multi-disciplinary work directed by Clemence Williams 2022; for Agatha Gothe-Snape; The Outcome is Certain 2020 and Wet Matter 2020 (lead by Evelyn Morris) for MUMA, Double Beat by Sara Black for Form Dance Projects 2019-2022; for Griffin Theatre Company: Splinter by Hilary Bell and directed by Lee Lewis 2019 and Superheroes by Mark Rogers and directed by Shari Sebbens 2020 (associate to Dave Bergman); for Karul Projects: Mi:wi by Taree Sansbury for Next Wave Festival 2018, WOLLUMBIN / / WARNING 2017 and CO_EX_EN by Thomas E.S. Kelly for Dance Massive 2019, Story Club Solo by Zoe Norton-Lodge for Sydney Opera House 2017. Film credits include; Nataptedi by Yolanda Lowatta for Art_Apart 2022; Liminal for Australasian Dance Collective 2020 and ID for Transit Dance Company 2020 – both choreographed and directed by Cass Mortimer Eipper; a series of short films born of Liverpool Girls’ Highschool’s Refugee Art Project, and Outbreak Generation by Brooke Goldfinch which premiered at Sydney Film Festival in 2017.

She has performed in works by internationally renowned artists such as Agatha Gothe-Snape, Oliver Beer (UK), Patricia Piccinini, Lauren Brincat; and has performed alongside legendary new music vocalist Joan La Barbara (NY), and has appeared in works presented at The Art Gallery of NSW, The Bienale of Sydney, Liveworks Festival of Experimental Art, National Gallery of Australia, MONA and Opéra National de Paris.  She has cultivated a practice that enables her love (and compulsion for) experimentation, connection and collaboration, and is honoured to be joining the Belvoir family for Rep Season.

Elle Evangelista

Elle Evangelista loves dancing. Her BELVOIR choreography credits include Curious Incident of the Dog in the Night-Time, Holding the Man, The Master and Margarita, The Cherry Orchard, The Boomkak Panto, The Rep Season and Furious Mattress (25a). Her other theatre choreography credits include Twelfth Night (Bell Shakespeare), A Very Expensive Poison (NIDA) and How To Catch A Star (Australian Chamber Orchestra).

As a dancer she has worked for Force Majeure, KAGE Physical Theatre, Opera Australia and she has been awarded residencies to create new work by Ausdance NSW, DirtyFeet, Critical Path, March Dance, Brand X and Supercell Festival of Contemporary Dance. From 2019 – 2021, Elle was an Artist Representative on the Board of Critical Path and in 2022 a Belvoir Artistic Associate.

Elle has a Bachelor of Arts in English from UWA and a Bachelor of Arts in Dance from WAAPA. She was raised on Boorloo/Perth by her Filipino and Burmese family and currently lives on Garigal Land in Sydney with her partner and their young son.

Tim Dashwood

Belvoir: The Life of Galileo. Other Theatre: Sydney Theatre Company:Julius Caesar, Death of a Salesman, No Pay? No Way!, Lord of the Flies. Opera Australia: Whiteley, West Side Story on Sydney Harbour, Krol Roger, Faust. shake & stir theatre co.: Fantastic Mr Fox, Jane Eyre, George’s Marvellous Medicine. New Theatre: The Removalists. Outhouse Theatre Co: Ulster American. Empress Theatre: Cyprus Avenue. Packemin Productions: Les Miserables. Sport for Jove: Rose Riot, Servant of Two Masters, Measure for Measure, Fallen. ATYP: Intersections: Arrival, War Crimes. NSW Public Schools: Macbeth. Red Line Productions: Fierce. As Actor: Kay & McLean Productions: The Graduate. Bell Shakespeare: Richard III. shake & stir theatre co.: Fantastic Mr Fox, Animal Farm, Dracula, Wuthering Heights, George’s Marvellous Medicine. Darlinghurst Theatre Company: A Chorus Line (understudy), Deathtrap. Gordon Frost Organisation: Fame: the Musical. Queensland Theatre Company: Managing Carmen, The Odd Couple, Romeo & Juliet, Macbeth, Rabbithole, The Importance of Being Earnest, The Exception and the Rule. The Escapists: Packed. La Boite Theatre Company: The Year Nick McGowan Came to Stay. Other: President of the Society of Australian Fight Directors incorporated. Training: Bachelor of Theatre Arts: university of Southern Queensland, Certified by the Society of Australian Fight Directors incorporated.

Nigel Poulton

Nigel is an award-winning movement director, fight and intimacy coordinator, SAG-AFTRA/MEAA stunt performer and actor, with over 25 years of professional experience. Selected theatre credits include: for Belvoir St Theatre, Holding the Man, The Master and Margarita, Miss Peony, Packer and Sons, Things I Know To Be True, Stop Girl, Blessed Union, At What Cost?, The Jungle and the Sea; for Sydney Theatre Company, Oil, On The Beach, Do Not Go Gentle, Fences; for Bell Shakespeare, Twelfth Night, Romeo and Juliet, Macbeth; for Melbourne Theatre Company, Bernhardt/Hamlet; for Ensemble Theatre, Memory of Water, Mr Bailey’s Minder, Suddenly Last Summer. Nigel’s film and television work includes: Deadloch, Nautilus, Poker Face, Thor: Love and Thunder, Spiderhead, Ding Dong I’m Gay, Occupation 2, Pirates of the Caribbean V, Deadline Gallipoli, The Water Diviner, The Bourne Legacy, Vikingdom and Winter’s Tale.

In 2021, Nigel was awarded the status of Fight Master with the Society of American Fight Directors, as one of only two recipients outside the US with this accolade. He has also won a Green Room Award for outstanding contribution to the stage.

Alice Osborne

ALICE OSBORNE is a theatre maker, director and puppeteer. For Belvoir, she was Puppetry Director for RUBY’S WISH. For Sydney Opera House, she co-wrote and directed WHAT THE OCEAN SAID and multiple productions for the Creative Leadership in Learning program. Alice was Puppetry and Movement Director for the Australian production of WAR HORSE (National Theatre of Great Britain), THE SPLINTER (Sydney Theatre Company), DIARY OF A WOMBAT, POSSUM MAGIC and EDWARD THE EMU (Monkey Baa), ALPHABETICAL SYDNEY and BLACK SUN/BLOOD MOON (Critical Stages), and Justine Clarke’s LOOK LOOK IT’S A GOBBLEDYGOOK. As Performer, Alice was a member of Compagnie Philippe Genty (Paris), and My Darling Patricia (Sydney). She co-created and performed FALLING WOMAN (Performance Space). Her television credits as Puppeteer include DIDI & B (Nickelodean), ME & MY MONSTERS, FIVE MINUTES MORE, FARSCAPE (The Jim Henson Company), and THE UPSIDE DOWN SHOW (Sesame Workshop). Alice holds a Bachelor of Theatre/Media from Charles Sturt University, Bathurst. She also holds a Master of Occupational Therapy from The University of Sydney and is a registered Occupational Therapist working in inpatient mental health.

Laura Farrell

Laura Farrell (she/her) is a Voice and Dialect Coach living and working on Gadigal land. She holds a Masters of Fine Arts in Voice from NIDA; a Post Graduate Diploma in Voice from the Victorian College of the Arts; and a Bachelor of Music Theatre from the Victorian College of the Arts. A current lecturer for NIDA’s BFA, Laura has also taught on multiple Sydney actor training programs, including NIDA’s Diploma of Stage and Screen and Diploma of Music Theatre, Actors Pulse, Sydney Acting Studio, Actors Centre Australia and The University of Wollongong.

For Belvoir, Laura’s coaching credits include Into The Woods, directed by Eamon Flack (2023), Blue, directed by Deborah Brown (2023), Jungle And The Sea, directed by Eamon Flack (2022), Tell Me I’m Here, directed by Leticia Caceres (2022), Fangirls, directed by Paige Rattray (2022) and Counting And Cracking, directed by Eamon Flack (2022).  

Other credits include Pear Shaped, directed by Miranda Middleton (Rogue Projects, 2023), F*** It Bucket, directed by Alyssa McClelland (LeftBank Productions UK, 2022),  Reluctant Sea Shanty for UNHCR, directed by Kyra Bartley (FINCH, 2022), Picnic At Hanging Rock, directed by Claudia Osbourne (NIDA, 2022), Paper Stars, directed by Miranda Middleton (Salty Theatre, 2021) and Revolt. She Said. Revolt Again., directed by Heather Fairbairn (NIDA, Sydney 2021). 

Margaret Thanos

Margaret Thanos is an award-winning Cypriot-Australian director, writer and actor for theatre and film. She is also the owner of Queen Hades Productions, a production company that works to bring together activism and art.

Margaret’s directing credits include Not Now, Not Ever: A Parliament of Women (25A), the 5-star sell-out season of I Hate People; or Timon of Athens (Sport for Jove), A Very Expensive Poison (New Theatre), the Australian Premiere of Labyrinth (Dream Plane Productions) and world premiere of A Grain of Sand (KXT). In 2023, she was awarded the prestigious Sandra Bates Director’s Award at Ensemble Theatre.

She has assistant directing credits on The Curious Incident of the Dog in the Night-Time (Belvoir), Benefactors (Ensemble), Mr Bailey’s Minder (Ensemble), This Genuine Moment (Old 505), Animal Farm (New Theatre), Originate Project (Q Theatre), The Linden Solution (Ratcatch) and The Cherry Orchard (Chippen St). Her debut short Life Beyond Christine is currently in post-production.

Her acting credits include: Beautiful Things (Flickerfest Selection), Dear Australia (Spark Theatre), Screen Shot (Toronto Comedy Film Festival Selection), Twinemies (Australian Podcast Award Winner), Spider in My Soup (Shopfront Artslab and Bondi Feast), My Creatures (Tricky Feet), Intersection: Chrysalis (ATYP/Griffin). In 2020, Margaret was a part of Montague Basement’s Laboratory Program and in 2021 she was a part of ATYP’s Fresh Ink.

Luke McGettigan

Luke is Belvoir’s Resident Stage Manager. For Belvoir, he has stage managed Holding the Man, Master and Margarita, The Weekend, Scenes from the Climate Era, Blessed Union, The Jungle and the Sea, Tell Me I’m Here, Opening Night, The Boomkak Panto, Stop Girl, My Brilliant Career, A Room of One’s Own, Packer & Sons, Things I Know To Be True, Counting and Cracking, The Dance of Death, A Taste of Honey, Sami in Paradise, Barbara and the Camp Dogs, Ghosts, The Rover, Mark Colvin’s Kidney, Faith Healer, Twelfth Night or What You Will, The Great Fire, Mortido, Seventeen, Elektra/Orestes, Radiance, The Glass Menagerie, Brothers Wreck, Once in Royal David’s City, Miss Julie, Forget Me Not, Peter Pan (including New York tour), Private Lives, Death of a Salesman, Babyteeth, Summer of the Seventeenth Doll, Neighbourhood Watch, The Wild Duck (including UK and Europe tours), Namatjira (Belvoir/Big hART), Page 8, The End, That Face, The Promise, Scorched, Antigone, Keating!, The Little Cherry Orchard and The Caucasian Chalk Circle. His other credits include The Pig Iron People, The Give and Take, Bed, La Dispute (Sydney Theatre Company); Like a Fishbone (STC / Griffin); The Government Inspector, The Tempest, The Servant of Two Masters, The Comedy of Errors, The Taming of the Shrew (Bell Shakespeare); Paradise City, Through the Wire (Performing Lines); and Alive at Williamstown Pier (Griffin).

Zoe Davis

Zoe (she/her) is a Sydney based stage manager who is passionate about sharing stories through the stage and inclusive theatre practices. Zoe is excited to be returning to Belvoir as an ASM after seconding on Belvoir’s Rep Season of Light Shining in Buckinghamshire and Wayside Bride in 2022. 

Zoe’s previous credits include – Assistant Stage Management: Into the Shimmering World, Is God is and Hubris and Humiliation (Sydney Theatre Company), Stage Management Support: Dracula and Oil (Sydney Theatre Company) Development Stage Manager: Gurr Era Op (Force Majeure).

Sarah Carroll

Sarah Carroll is an award winning Pasifika, queer and neurodiverse producer, writer and access coordinator working on Dharug Land (Western Sydney). Sarah has produced Saturday Girls for Belvoir’s 25A and has two successful one woman shows under her belt, Cherry and Unkissed.  Sarah was part of Screen Australia’s inaugural Access Coordinator training program. Sarah is a Sydney Fringe Award winner and Hollywood Fringe Award nominee. Sarah strives to champion for underrepresented voices to be heard and create works that uplift and engage audiences in new and exciting ways – usually with lots of sparkle and sass.