WELL-BEHAVED WOMEN

Carmel Dean

CARMEL DEAN is a Perth-born, New York-based multi-faceted theatre musician. As a Musical Supervisor and/or Arranger/Orchestrator, Carmel’s Broadway credits include The Notebook; If/Then (starring Idina Menzel); Funny Girl (starring Lea Michele); Hands on a Hardbody; American Idiot; and The 25th Annual Putnam County Spelling Bee. Her first musical as composer, Renascence, was produced Off-Broadway by the award-winning company Transport Group, and was named Best New Musical at the 2018 Off-Broadway Alliance Awards. Her song cycle Well-Behaved Women premiered to sold-out performances at  the noted New York City cabaret venue, Joe’s Pub, and has gone on to receive multiple productions around the world.

Other roles include vocal arranger for jam-band Phish (Madison Square Garden, MGM Las Vegas, Chicago’s Wrigley Field); performer with Green Day on the 52^nd Annual Grammy Awards, and former musical director for Broadway legend Chita Rivera.

Carmel received a B.Mus. from the Western Australian Academy of Performing Arts (WAAPA). In 2001 she was awarded a Fulbright Scholarship to study in the United States, and subsequently graduated from NYU’s Graduate Musical Theatre Writing Program with a MFA in Musical Theatre Writing. 

Miriam Laube

Lynne Shankel

Blazey Best

Blazey was most recently seen at Belvoir acting in My Brilliant Career. Other Belvoir credits
include Ivanov, Miss Julie, Death Of A Salesman, The Wild Duck (European tours) and Medea.
Other theatre credits last year include Amadeus for Redline and GWB at the Opera House, Sex
Magick for Griffin, Romeo and Juliet for Bell Shakespeare and A Little Night Music at The Hayes.
Blazey’s directing credits include Tell Me On A Sunday at The Hayes, This Is Personal at the
Opera House and national tour, Sensitive Guys for KXT and King Of Pigs at The Hayes and
national tour.
Blazey has won Sydney Theatre Awards for her roles in Ivanov, Medea and Miracle City.

Stefanie Caccamo

Stefanie graduated in 2016 from the Western Australian Academy of Performing Arts (WAAPA) with a Bachelor of Music Theatre. Stefanie made her Belvoir Debut as Rapunzel in Into The Woods. Theatre credits include: Black Swan State Theatre Company: Oklahoma!, Once the Musical. Michael Cassel Group: Beautiful: The Carole King Musical. Darlinghurst Theatre Company: Once the Musical. Sydney Opera House/Peace Productions: Hair the Musical 50^th Anniversary Tour. Hayes Theatre Company: Godspell, Lizzie the Musical, Well Behaved Women, Irene, Applause, Meet Me in St Louis. The Little Red Co: Christmas Actually, From Johnny to Jack. Film: Three Summers. TV: The Twelve S2, Home and Away, Woolworths Carols in The Domain 2021, Fighting Season, Making Muriel. Awards: 2014 Effie Crump Award, 2016 Leslie Anderson Showcase Award, 2017 Rob Guest Endowment Melbourne East End Theatre District Award.   

Zahra Newman

A graduate of VCA, Zahra has built an extensive list of theatre, television and film credits.

In 2016 she was awarded an AACTA for Best New Talent and received a 2017 Sydney Theatre Award for her performance as Nabulungi in The Book of Mormon. Other industry recognitions include a Green Room Award, CGA Award and multiple Helpmann nominations.

Theatre credits include Fences, A Raisin in the Sun, Julius Caesar, Cat on a Hot Tin Roof, Love and Information (Sydney Theatre Company); Random, The Blind Giant is Dancing, Ivanov, The Government Inspector, Private Lives (Belvoir); Miss Julie, The Effect, The Mountain Top, The Cherry Orchard, Menagerie, Clybourne Park, The Drowsy Chaperone and Richard III (Melbourne Theatre Company); Well Behaved Women (Hayes Theatre Company); Girl from the North Country (GWB) and the critically acclaimed Wake in Fright for Malthouse/Sydney Opera House, which she also co-created.

Zahra’s film credits include Truth, I Met A Girl, Long Story Short and Thirteen Lives. Her television credits include Netflix’s Pieces of Her, Spreadsheet, Diary of an Uber Driver, Sisters, Foxtel’s Wentworth, Neighbours, Rosehaven, Childhood’s End and Rush.

Elenoa Rokobaro

At the age of 16 Elenoa was plucked from the Australian International Performing Arts High School (AIPAH) to star in Respect: The Musical in 2007.

Elenoa’s credits includeJoanne in Rent (Sydney Opera House); Susan in Tick, Tick…BOOM! (Storeyboard Entertainment); Fay Apple in Anyone Can Whistle and Well Behaved Women (Hayes Theatre); The Wife in The Things I Could Never Tell Steven (NToP); Betty Blokk-Buster Follies Reimagined (Redline Productions); The Book of Mormon (GFO); Reno in Dusty (TPC); The Fortune Teller in Side Show (One Eyed Man Productions); Ghost (ATG); Violet (Blue Saint Productions); Legally Blonde (GFO); Hairspray (DCE/David Atkins); Fame (GFO); Taylor in High School Musical Onstage (Disney) and Chanteuse (Adelaide Cabaret Festival). Elenoa was also featured in the Baz Luhrmann film The Great Gatsby.

In 2019 Elenoa was seen as Caroline Thibodeaux in the acclaimed Caroline, Or Change (Hayes Theatre Company) for which she was awarded Best Female Actor in a Leading Role for both the Sydney Theatre Awards and the GLUG Awards.

Ursula Yovich

Ursula Yovich is an extraordinary multi-hyphenate artist: an award-winning actor, playwright, singer, songwriter and storyteller on both stage and screen, performing on stages across Australia and internationally, including at Carnegie Hall (Australia Plays Broadway), New York. Ursula created and originated the titular role in Barbara and the Camp Dogs, which premiered at Belvoir Street Theatre and toured nationally, winning her a Helpmann Award for Best Female Actor in a Musical in 2019. Ursula also won Helpmann Awards for Best Female Actor in a Play in 2007 for Capricornia, and many nominations including  her cabaret show, Magpie Blues. Other theatre credits include: for Griffin: The Lewis Trilogy, Diving for Pearls; for Belvoir: 20 Questions, A Christmas Carol; for Carriageworks: Winyanboga Yurringa; for Darlinghurst Theatre Company: Red Carpet Cabaret, Well-Behaved Women (Neglected Musicals Song Cycle); for Deckchair Theatre: The Magic Hour; for Malthouse Theatre: One Night the Moon; for Queensland Theatre: Mother Courage and Her Children; for Secret Chord: 1967: Songs in the Key of Yes (Adelaide, Sydney Festival Tour); for Stalker Theatre: Creature, Dot & the Kangaroo; for Sydney Opera House: Badu Gili, Jerry Springer: The Opera; for Sydney Theatre Company: Bloodland, The Golden Age, Love and Information, The Resistable Rise of Arturo Ui, Power Plays, The Secret River, Seven Stages of Grieving; for Windmill Theatre Co: The Wizard of Oz, Afternoon of the Elves; and for Yirra Yaakin: Waltzing the Wilarra. Ursula’s credits as writer and performer include: for Bangarra: Dubboo—Life of a Songman (in collaboration with Archie Roach and Djakapurra Munyarryun); and for Legs on the Wall: The Man With the Iron Neck (Adelaide, Brisbane, Darwin, Sydney Festival Tour). Ursula won a Best Supporting Actor Film Critic’s Circle Award in 2020and an AACTA Best Supporting Actor nomination in 2019 for her role in the feature film Top End Wedding; her other film credits include Baz Luhrmann’s Australia, Around the Block, Goldstone, Jindabyne and This Winter. Her small screen credits include: for ABC: The Gods of Wheat Street, Mystery Road, Play School, Preppers, Rake, Redfern Now, Wakefield; for Amazon: The Moth Effect; for Foxtel: The Twelve; for Netflix: Irreverent; for Network 10: How to Stay Married; for Nine Network: The Code, Doctor Doctor, The Gamers 2037; for SBS: Faboriginal; for Seven Network: Wanted; for Stan: Devil’s Dust. Ursula is the voice of ‘Levi’ in the NITV/SBS Children’s animated TV series, Little J & Big Cuz, on which she is also a writer.

Sarah Murr

Fresh from closing the Australian tour of &Juliet as Lady Capulet, Sarah is thrilled to be standing by for this powerhouse lineup of Well Behaved Women at Belvoir St. Some of her credits include Les Misèrables, Candide, Shrek the Musical, NINE, Priscilla Queen of the Desert, HOSH Phantom of the Opera, Lizzie!, Bonnie & Clyde, Jekyll & Hyde, The Lovers, and most recently with Sydney Cabaret hosting Sunday Service. 

Seb Bartels

Electric/Acoustic Guitars

Seb Bartels is a musician based in Sydney, Australia. He played mandolin, Irish bouzouki and acoustic guitar for both Sydney seasons as well as the subsequent 2023 Australian Tour of Come From Away. He also played acoustic and electric guitars for the 50th Anniversary Australian Tour of Hair, as well as substituting on the guitar chairs for the most recent Sydney seasons of Moulin Rouge and Wicked. As a session musician, he has worked with many artists including Guy Sebastian, Ilan Kidron (The Potbelleez), Apo Hiking Society (Philippines), Reuben Styles (Peking Duk/Y.O.G.A) and Shogun (Royal Headache). 

Ali Foster

Ali stands out as one of Australia’s most sought-after drummers, commanding stages and
studios alike with her exceptional talent. Over the years, she has become a fixture in the
music scene, leaving her mark through electrifying performances and stellar recordings of
both her drumming and backing vocals.
Her impressive resume boasts collaborations with a diverse array of artists, including
acclaimed names such as Hussy Hicks, Beccy Cole, Adam Harvey, Ciaran Gribbin (INXS),
Bill Chambers, Amber Lawrence, Toby Beard The Bushwackers, Sandy Evans and Sirens Big
Band, The Pigs, Melody Moko, Chris E Thomas, The Drifters to name just a few. From sharing
the stage with icons like Kasey Chambers, Shane Nicholson, Katie Noonan, Renee Geyer,
Wendy Mattews, Peter Northcote, Guy Sebastian to touring with UK electro-punk sensation
‘Sshh’, featuring none other than Zak Starkey (Ringo Starr’s son and current drummer for The
Who), Ali has consistently showcased her versatility and prowess behind the drum kit.
In 2020, Ali made history as the drummer for the Australian premiere of SIX the Musical at
the prestigious Sydney Opera House, adding another milestone to her already illustrious
career. She has lent her rhythmic expertise to various musical productions, including
captivating performances in award winning productions like Guys and Dolls with Antipodes
Theatre Company and Natasha, Pierre & The Great Comet of 1812.

Ali’s impact extends far beyond Australian shores, gracing international stages from Electric
Picnic in Ireland with Hussy Hicks to the Simmental Beer Festival in Switzerland with Toby
Beard. Her career also includes a life-changing tour to play for the troops in the Middle East
with the Australian Defence Force. This unique opportunity not only showcased her talent but
also highlighted her commitment to bringing joy and entertainment to those serving their
country far from home.

With a musical journey spanning 25 years and backed by a Bachelor of Music in Jazz
Performance from the esteemed Sydney Conservatorium of Music, Ali continues to inspire
audiences worldwide with her unparalleled skill, passion, and dedication to her craft.

Sarah Homeh

Sarah Homeh is a multifaceted musician, composer, and lyricist, known for her skills as a double bassist and vocalist. She is a music graduate with Honours (Class 1) from UNSW, and has a Masters of Creative Industries from SAE. Sarah leads her own originals project, Monstress, who are known for their innovative nu-jazz sound. She primarily operates as a session musician, continuously engaged in studio recording sessions and live performances for theatre and artists such as Horroshow, Ayesha Maddon, Hermitude, and more. Notably, she has secured grants for projects that have contributed to the empowerment of marginalized voices in the music industry.

David Gardos

Originally from Sydney, David worked as a music director and pianist in New York for 15 years. He originated five Broadway musicals: Chaplin, Big Fish, Side Show (Revival), Finding Neverland, and Falsettos (Revival), featuring on all five Broadway cast recordings. David was a substitute musician and/or conductor on numerous other Broadway and off-Broadway shows including Hamilton, In the Heights, Matilda, and Peter and the Starcatcher.
David has been involved in the development of many new musicals. US Production highlights include Ever After (Papermill Playhouse), My Paris (Goodspeed Theatre, Long Wharf Theatre), Darling Grenadine (Goodspeed Theatre, Roundabout Underground), Kiss My Aztec (Berkeley Repertory Theatre, La Jolla Playhouse, Hartford Stage).
Since returning to Sydney, David has taking up teaching positions in musical theatre programs at NIDA and the Sydney Conservatorium of Music. He is also active in the Sydney theatre industry working as a musician on many of the major musicals and recently as music director for A Little Night Music and Tell Me on a Sunday at the Hayes Theatre Co.
David has a Bachelor of Music (Music Education) from the Sydney Conservatorium of Music, and a Master of Music (Orchestral Conducting) from the University of Cincinnati.

Michelle Guthrie

Michelle Guthrie has worked across many aspects of the entertainment industry for over 35 years.  Originally as a performer, Michelle went on to become an agent, manager, publicist, marketing consultant and theatre producer.

In 2021 Michelle Guthrie Presents launched and produced Well Behaved Women by Carmel Dean at Hayes Theatre Co to critical acclaim.  In 2022 Michelle Guthrie Presents produced Nice Work If You Can Get It at Hayes Theatre Co, again to sell-out audiences, and went on to be nominated for six Sydney Theatre Awards, winning two.

Having created Neglected Musicals in 2010, Michelle has presented 28 musicals over the past 14 years.  Associate Producer credits include the critically acclaimed and award winning Calamity Jane starring Virginia Gay, which toured Australia and originated as a Neglected Musicals presentation, Monty Python’s SPAMALOT, and At The Crossroads with Dale Burridge.  Executive Producer credits include Razorhust and Dubbo Championship Wrestling for Hayes Theatre Co and Consulting Producer Into The Woods for Belvoir/Hayes.   In 2024 the acclaimed Tell Me On A Sunday staring Erin Clare played at Hayes Theatre Co

Michelle has produced the Coogee Carols for Randwick City Council for 24 years and each year provides Christmas Entertainment events across Sydney. Michelle Guthrie was a producer with New Musicals Australia and is one of the founders of Hayes Theatre Co.

With over 20 years as one of Australia’s leading entertainment publicists, Michelle has managed the media for Cyndi Lauper, Barry Humphries, The Dali Lama, CATS, The Graduate, The Phantom of the Opera, Guys & Dolls, Bernadette Peters, Kristin Chenoweth, The Helpmann Awards and more.  Previously Michelle has been General Manager of Peter & Ellen Williams Presents at the Sydney Opera House, Director of Australian Creative Management, Client Manager with the Harry M Miller Group, National Publicist with Mollison Consulting and The Really Useful Company, prior to founding the MGM Publicity & Promotions team in 2002.  In 2020 Michelle Guthrie Consulting & Communications was launched with clients across Australia.

David Gardos

Originally from Sydney, David worked as a music director and pianist in New York for 15 years. He originated five Broadway musicals: Chaplin, Big Fish, Side Show (Revival), Finding Neverland, and Falsettos (Revival), featuring on all five Broadway cast recordings. David was a substitute musician and/or conductor on numerous other Broadway and off-Broadway shows including Hamilton, In the Heights, Matilda, and Peter and the Starcatcher.
David has been involved in the development of many new musicals. US Production highlights include Ever After (Papermill Playhouse), My Paris (Goodspeed Theatre, Long Wharf Theatre), Darling Grenadine (Goodspeed Theatre, Roundabout Underground), Kiss My Aztec (Berkeley Repertory Theatre, La Jolla Playhouse, Hartford Stage).
Since returning to Sydney, David has taking up teaching positions in musical theatre programs at NIDA and the Sydney Conservatorium of Music. He is also active in the Sydney theatre industry working as a musician on many of the major musicals and recently as music director for A Little Night Music and Tell Me on a Sunday at the Hayes Theatre Co.
David has a Bachelor of Music (Music Education) from the Sydney Conservatorium of Music, and a Master of Music (Orchestral Conducting) from the University of Cincinnati.

Grace Deacon

Grace is a production and costume designer working across stage, film and screen. Grace’s practice is based heavily on creative collaboration and exploration, with a love of developing new works. Grace’s recent design credits include:  AN OX STOOF ON MY TOUNGE (25A BELVOIR), NEVER CLOSER (25A BELVOIR), THE ITALIANS (25A BELVOIR), WHO’S AFRAID (25A BELVOIR), DESTRY, SHE SAID (25A BELVOIR), LA CAGE AUX FOLLES (ARTS CENTRE MELBOURNE), SENSER (THEATRE WORKS), T NOT TODAY (MELBOURNE COMEDY FESTIVAL). TV credits: MASKED SINGER AUSTRALIA (2021-23), GLADIATORS (2023) Grace has been awarded the Best Stage Design for an Independant production 2023, the William Fletcher Foundation Scholarship and Peter Ivan Scholarship for Excellence in Design.

Kelsey Lee

Kelsey is a lighting, set and costume designer for theatre, dance and events. Previously for Belvoir she was the Lighting Designer for Curious Incident of the Dog in the Nighttime, A Room of One’s Own; and Associate Lighting Designer for Blue, At What Cost?. Other credits include Lighting Designer: Mutiara (Marrugeku); Gurr Era Op (Force Majeure); The Lewis Trilogy; Sex Magick; Whitefella Yella Tree (Griffin Theatre Company), The Comedy Of Errors (Bell Shakespeare); Tell Me On A Sunday (Hayes Theatre); Masterclass; The Memory of Water; A Letter For Molly (Ensemble Theatre); Queen Fatima (NToP); Jali (Aya Productions, Griffin Theatre Company); Extinction of the Learned Response, Skyduck, Kasama Kita (Belvoir 25A); April Aardvark (ATYP); Good Dog; If We Got Some More Cocaine I Could Show You How I Love You (Greendoor Theatre Company). Set & Costume Designer Somos (Sydney Dance Company). Set Designer: Nothing; A Practical Guide To Self Defence (NTofP). Costume Designer: Silence and Rapture (Sydney Dance Company & ACO), Switzerland (Ensemble Theatre). Co-production Designer & Lighting Designer: Destroy, She Said (Belvoir’s 25A). Set & Lighting Designer: An Ox Stand On My Tongue (Belvoir 25A). Lighting, Set & Costume: Lulu: A Modern Sex Tragedy (NIDA), Wilfred Gordon McDonald Partridge (ACO). Associate Lighting Designer Cut The Sky (Marrugeku). 

Tom Brickhill

Tom is a sound designer based in Sydney. By day he is a senior consultant managing a team of theatre planning and audio-visual consultants for the global design firm Arup, where he is fortunate enough to work on some of the largest arts and cultural projects in the world. His sound design credits span over 10 years on shows performed from Australia and the UK to South Korea and Philippines. Credits include The Sapphires (2010-2012), Do You Hear the People Sing (2014-2024), Tell Me On a Sunday (2024) and Carousel (2024).

Susie Henderson

Living on Gadigal and Bidjigal Country, Susie (she/her) is a Video Designer working across live performance. Collaboration is at the forefront of Susie’s practice, and she is happiest when she is making good work with good people. Susie’s recent credits include: as Video Designer: for Belvoir Street Theatre: The Weekend, for Sydney Theatre Company: Julia, Lifespan of a Fact, for Griffin Theatre Company: Wherever She Wanders; for Legs On The Wall: Beetle; for Critical Stages, Black Sun Blood Moon; as Video Editor: for Michael Cassel Group/Sydney Theatre Company: The Picture of Dorian Gray (London, 2024), for Sydney Theatre Company: Dracula, The Strange Case of Doctor Jekyll and Mr Hyde, for as Video Systems & Content Designer: for Belvoir Street Theatre: Stop Girl; and for Sydney Theatre Company: The Wharf Revue 2020: Good Night & Good Luck; as Lighting Realiser; for Contemporary Asian Australian Performance; The Bridal Lament. In 2024 Susie won the APDG award for Video Design for Live Performance or an Event for her work on Julia.

Lisa Callingham

Lisa is a highly respected triple threat performer and creative whose professionalperformance credits include The Rocky Horror Show, Jerry’s Girls, Hot Shoe Shuffle, How to Succeed in Business Without Really Trying, Oscar’s Turn to Sing, What the World NeedsNow, Pippin, Hello Again, A Chorus Line, Miracle City, The Boy from Oz, Neglected Musicals The Goodbye Girl, Nice Work if you Can Get It, Menopause The Musical, Gillian Armstrong’s Starstruck and Baz Luhrmann’s Moulin Rouge. She has performed live with and recorded for artists such as Marcia Hines, Paulini, Paul Mac, Chrissie Amphlett, The Eurogliders, Rhonda Burchmore, Caroline O’Connor, Georgie Parker, Nancye Hayes, Trevor Ashley, Shane Jacobsen, Deni Hines and Christine Anu.  She regularly tours with Todd McKenney and is featured on his album The Songs Of Peter Allen.

Lisa’s creative credits include Associate Director/ Choreographer on Catch Me If You Can at the Hayes Theatre, Singin’ In The Rain In Concert for QPAC/ Prospero Arts and Nice Work If You Can Get It for MGP and The Hayes Theatre. She Choreographed the Boy From Oz 2020 Live from Lockdown video and Anyone Can Whistle for Neglected Musicals. She has also choreographed and staged numerous corporate events for clients such as QVB, Westpac, Australian Fashion Week and The Sydney Swans and was Staging Director on The NSW Premier’s Concerts for 5 years.  She has directed and choreographed over 20 productions for the Full Time Performing Arts and Musical Theatre Graduating Courses at Brent Street Studios

Margaret Thanos

Margaret Thanos is an award-winning Cypriot-Australian director, writer and actor for theatre and film. She is also the owner of Queen Hades Productions, a production company that works to bring together activism and art.

Margaret’s directing credits include Not Now, Not Ever: A Parliament of Women (25A), the 5-star sell-out season of I Hate People; or Timon of Athens (Sport for Jove), A Very Expensive Poison (New Theatre), the Australian Premiere of Labyrinth (Dream Plane Productions) and world premiere of A Grain of Sand (KXT). In 2023, she was awarded the prestigious Sandra Bates Director’s Award at Ensemble Theatre.

She has assistant directing credits on The Curious Incident of the Dog in the Night-Time (Belvoir), Benefactors (Ensemble), Mr Bailey’s Minder (Ensemble), This Genuine Moment (Old 505), Animal Farm (New Theatre), Originate Project (Q Theatre), The Linden Solution (Ratcatch) and The Cherry Orchard (Chippen St). Her debut short Life Beyond Christine is currently in post-production.

Her acting credits include: Beautiful Things (Flickerfest Selection), Dear Australia (Spark Theatre), Screen Shot (Toronto Comedy Film Festival Selection), Twinemies (Australian Podcast Award Winner), Spider in My Soup (Shopfront Artslab and Bondi Feast), My Creatures (Tricky Feet), Intersection: Chrysalis (ATYP/Griffin). In 2020, Margaret was a part of Montague Basement’s Laboratory Program and in 2021 she was a part of ATYP’s Fresh Ink.

Isabella Kerdijk

Bella graduated from the production course at the National Institute of Dramatic Art in 2008. She has worked as a Stage Manager and Assistant Stage Manager on many shows, including: for Belvoir:  An Enemy of the People, The Dog/The Cat, The Drover’s Wife, Every Brilliant Thing, Fangirls, Girl Asleep, The Glass Menagerie, HIR, Jasper Jones, Kill the Messenger, Mother, Mother Courage and Her Children, My Name is Jimi, Stories I Want to Tell You In Person, The Sugar House, Thyestes (European Tours), Well-Behaved Women, Winyanboga Yurringa; for Griffin: And No More Shall We Part, Blaque Showgirls, Green Park, Replay, Sex Magick, Swim, The Smallest Hour, This Year’s Ashes, Ugly Mugs, Whitefella Yella Tree, Wicked Sisters; for Sydney theatre Company; Blithe Spirit; for Circus Oz: Cranked Up; for Darlinghurst Theatre Company: Fourplay, Ride, Silent Night; for Ensemble Theatre: Benefactors, Boxing Day BBQ, Rainman, The Ruby Sunrise; for Legs on the Wall: Bubble; for LWAA: The Mousetrap (Australia/New Zealand Tours); for Spiegelworld: Empire; for Sydney Festival: A Model Murder

Krystelle Quartermain

Graduating with a BFA from NIDA in 2021, Krystelle is a freelance stage manager. She has worked on various productions including The Deb with ATYP (2022), School of Rock: The Arena Musical with GBE (2022), James Galea’s BEST TRICK EVER at the Sydney Opera House (2021), and has worked with the Coogee Christmas Carols the last two years. 

Krystelle currently works within the live music events for the City Recital Hall and the Australian Chamber Orchestra, additionally having worked as a radio microphone technician for Sydney Theatre Company. More recently, Krystelle has been a Stage and Company Manager for the last two Neglected Musicals at the Hayes Theatre (IF/THEN 2023, They’re Playing Our Song 2024) and Tell Me On A Sunday (Hayes Theatre 2024), and was the SM for Force Majeure’s GURR ERA OP (RISING Festival Melbourne 2024). 

Having a full circle moment from its first staging back in 2021, Krystelle is excited to be back working with the Well-Behaved Women team.