A Mirror
- 21 Feb – 22 Mar 26 Upstairs Theatre
- 1hr 55min (no interval)
This production contains strobe lighting, loud noises and haze. There are a few swears, theatrical guns, references to torture and execution, and moments of violence.
Should you wish to speak to a member of staff regarding running times, content warnings or any other show-related queries, our box office can be contacted on 02 9699 3444.
“Undeniably genius: the kind of rare, vigorous writing that sets your head spinning” – The Stage
Adem’s a mechanic who’s written a play, and naively submitted it for consideration. He’s called to the arts council by a bureaucrat, Čelik, who suspects Adem has potential – if only he can learn to write in the state-approved, patriotic way, instead of telling uncomfortable truths.
Together with his new assistant Mei and national playwriting treasure Bax, Čelik takes his new protogé through a crash-course in how to write a celebrated play for the national stage…
Theatre, politics, war, egotism, bureaucracy are all neatly skewered in this comedy. But Adem, Čelik, Mei and Bax are not what they seem. And we, the audience, aren’t either. In fact, in this gem of contemporary playwrighting, nothing is quite what you think it might be.
Clever, hilarious, serious, it’s a mirror. But just what world are we looking at?
We read this contemporary British play one afternoon and straight away knew we had to do it. It’s like Pirandello and Kafka meet Tom Stoppard, it’s carefully put together, it knows what it’s saying, and it’s very entertaining. There’s a sting in the tail, too. It’s wonderful to have Yalin and Rose back, and to introduce director Margaret Thanos to our mainstage. – Eamon
A Mirror was first presented at the Almeida Theatre, London, on the 15th of August 2023 and subsequently transferred to Trafalgar Theatre in January 2024 in a production co-produced by the Almeida Theatre, Second Half Productions, Rodeo Productions/ Tilted, Winkler and Smalberg, Trish Wadley Productions and Sayers and Sayers Productions.
With 4-play packages starting from $212 plus a range of ticket types and concessions, there is a package to suit everyone!
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~ Bookings of 10+ full price adult tickets receive a $10 discount per ticket.
^Prices are subject to change at no notice based on demand.
* Seniors prices are available with an eligible Australian Government-issued Seniors Card.
† Concession prices are available with a full-time student card, Centrelink Pensioner concession card, Veterans’ Affairs cards, and to members of Actors Equity (MEAA), and ArtsHub, and HotHouse Theatre Subscribers.
# 30-Down and Student Saver prices are available for Tuesday evening, Wednesday evening, Thursday evening, and Friday evening.

Sam is an award-winning playwright and screenwriter, who’s writing is elegant, clever, and often dark and funny – but suffused with warmth. She has a marked ability to engage with and transcend genres. Theatre includes A MIRROR (Almeida, 2023; Trafalgar Theatre, West End, 2024) co-produced with Second Half Productions; the musical FANTASTIC MR FOX (Nuffield Theatre, Southampton and […]

Sam is an award-winning playwright and screenwriter, who’s writing is elegant, clever, and often dark and funny – but suffused with warmth. She has a marked ability to engage with and transcend genres.
Theatre includes A MIRROR (Almeida, 2023; Trafalgar Theatre, West End, 2024) co-produced with Second Half Productions; the musical FANTASTIC MR FOX (Nuffield Theatre, Southampton and Lyric Hammersmith, 2016/7), RULES FOR LIVING (National Theatre, 2015), THE WARDROBE (National Theatre, 2014), EDGAR AND ANNABEL (National Theatre, 2011), WHILE YOU LIE (Traverse, 2010), PINK (Tricycle, 2010), VANYA (Gate Theatre, 2009), COCKROACH (National Theatre of Scotland, 2008)
Television includes THE ROOK (Lionsgate, Starz 2018). Sam is currently writing on an HBO series.
Awards include Windham Campbell Prize for Literature in the Drama category (2014), Tom Erhardt Playwriting Award for Most Promising Writer (2009).
Sam is currently developing a new play for Second Half Productions and is also under commission to the National Theatre.

Margaret Thanos is an award-winning Cypriot-Australian director for the stage and screen, and a resident artist at BELVOIR ST. Margaret’s directing credits include the 5-star sell-out seasons of FURIOUS MATTRESS (25A), POSH (Old Fitz), I HATE PEOPLE; OR TIMON OF ATHENS (Sport for Jove), NOT NOW, NOT EVER: A PARLIAMENT OF WOMEN (25A), A VERY EXPENSIVE POISON(New Theatre), […]

Margaret Thanos is an award-winning Cypriot-Australian director for the stage and screen, and a resident artist at BELVOIR ST. Margaret’s directing credits include the 5-star sell-out seasons of FURIOUS MATTRESS (25A), POSH (Old Fitz), I HATE PEOPLE; OR TIMON OF ATHENS (Sport for Jove), NOT NOW, NOT EVER: A PARLIAMENT OF WOMEN (25A), A VERY EXPENSIVE POISON(New Theatre), LABYRINTH(Dream Plane Productions) and A GRAIN OF SAND (KXT).
She also has assistant directing credits on GRIEF IS THE THING WITH FEATHERS, AUGUST: OSAGE COUNTY, THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME and WELL BEHAVED WOMEN (Belvoir), BENEFACTORS, MR BAILEY’S MINDER(Ensemble), THIS GENUINE MOMENT(Old 505), ANIMAL FARM(New Theatre), ORIGINATE PROJECT(Q Theatre), THE LINDEN SOLUTION(Ratcatch) and THE CHERRY ORCHARD(Chippen St). In 2023, she was awarded the prestigious SANDRA BATES DIRECTOR’S AWARD at Ensemble Theatre.
Margaret is also an activist, with a particular focus on gender equality and climate awareness. She is one of PLAN INTERNATIONAL‘s Advocates and has done extensive interviews and public appearances.
Coming up later this year, Margaret is directing The River at Sydney Theatre Company starring Miranda Otto.

Eden Falk is an actor based on Dharug Country. Belvoir: This Heaven, A Christmas Carol, The Great Fire. John Frost/Crossroads Live: And Then There Were None. Griffin Theatre Company: Kill Climate Deniers, The Ugly One. Sydney Theatre Company: Macbeth, Mother Courage and Her Children, The Lost Echo, The Art Of War, A Midsummer Nights Dream, […]

Eden Falk is an actor based on Dharug Country. Belvoir: This Heaven, A Christmas Carol, The Great Fire. John Frost/Crossroads Live: And Then There Were None. Griffin Theatre Company: Kill Climate Deniers, The Ugly One. Sydney Theatre Company: Macbeth, Mother Courage and Her Children, The Lost Echo, The Art Of War, A Midsummer Nights Dream, The Season At Sarsaparilla, The Serpents Teeth, Gallipoli, The War Of The Roses. Black Swan Theatre Company: Death Of A Salesman. post/STC/Noorderzon Festival Netherlands: Who’s The Best? Ontroerend Goed (Belgium): A Game Of You, Internal. Film: The Moogai, The Daughter, Sleeping Beauty, The Great Gatsby, Riot. Television: The Let Down (Series 2), Open Mike, All Saints.

Faisal Hamza is an Iraqi-Australian actor, writer, director and filmmaker who in 2024 graduatedfrom the National Institute of Dramatic Arts.A Mirror marks Faisal’s Belvoir debut. Previously, he appeared on stage as the boisterous FreddieMiles in Sydney Theatre Company’s 2025 production of The Talented Mr. Ripley. Other stage creditsinclude Dear Elena Sergeevna for Last Waltz Productions […]

Faisal Hamza is an Iraqi-Australian actor, writer, director and filmmaker who in 2024 graduated
from the National Institute of Dramatic Arts.
A Mirror marks Faisal’s Belvoir debut. Previously, he appeared on stage as the boisterous Freddie
Miles in Sydney Theatre Company’s 2025 production of The Talented Mr. Ripley. Other stage credits
include Dear Elena Sergeevna for Last Waltz Productions and All Boys for every other theatre
company.
In 2024, Faisal made his television debut in the ABC’s groundbreaking Iraqi-Australian
production, House of Gods. He will soon appear in film Place to Be, alongside Ellen Burstyn and Taika
Waititi.

Yalin Ozucelik is a NIDA graduate and has appeared in countless established theatre productions.Yalin’s credits include Sami in Paradise, The Great Fire, and Ivanov (Belvoir St Theatre). He most recently starred as Vanya in Uncle Vanya for Ensemble Theatre, Photograph 51 (Melbourne Theatre Company), Small Mouth Sounds (Darlinghurst Theatre Company), The Caretaker (Theatron Group, Throwing […]

Yalin Ozucelik is a NIDA graduate and has appeared in countless established theatre productions.
Yalin’s credits include Sami in Paradise, The Great Fire, and Ivanov (Belvoir St Theatre). He most recently starred as Vanya in Uncle Vanya for Ensemble Theatre, Photograph 51 (Melbourne Theatre Company), Small Mouth Sounds (Darlinghurst Theatre Company), The Caretaker (Theatron Group, Throwing Shade Theatre Co), The Norman Conquests Trilogy as the lead (Ensemble Theatre Company), Dresden (Bakehouse Theatre Company), The Servant of Two Masters (Sport for Jove Theatre Co), Measure for Measure (Sport for Jove Theatre Co), 1984 (State Theatre Co of SA), Othello (Bell Shakespeare), and Shellshock (Riverside Theatre).
In 2013 he won the Sydney Theatre Award for Best Actor in a Leading Role (Independent Production) for Cyrano de Bergerac (Sport for Jove Theatre Co). He also received a Sydney Theatre Award nomination in 2014 for Best Actor in a Supporting Role (Mainstage Production) for his role as Le Bret in Cyrano de Bergerac (Sydney Theatre Company) and a Sydney Theatre Award for Best Actor in a Supporting Role nomination in 2009 for Baghdad Wedding (Belvoir St Theatre).
His television credits include The Twelve (Foxtel, Easy Tiger), Barons (Switchfoot Productions), Total Control (ABC, Blackfella Films), Diary of an Uber Driver (ABC, Revolver), Rake (ABC), Deadline Gallipoli (Matchbox Pictures) and Gallipoli (Endemol Southern Star). He will soon appear in upcoming series The F Ward for Stan. He has also appeared in the films Concealed, The Activist and Superhero. Along with several short films and radio plays, poetry, and book readings for ABC Radio.

Rose Riley is a graduate of Western Australian Academy of Performing Arts (WAAPA). Her theatre credits include The Glass Menagerie for Belvoir (winner of the Green Room Award for Best Actress); Harp in the South and A Midsummer Night’s Dream for Sydney Theatre Company; Romeo and Juliet, Richard 3 and Hamlet for Bell Shakespeare; Love […]

Rose Riley is a graduate of Western Australian Academy of Performing Arts (WAAPA). Her theatre credits include The Glass Menagerie for Belvoir (winner of the Green Room Award for Best Actress); Harp in the South and A Midsummer Night’s Dream for Sydney Theatre Company; Romeo and Juliet, Richard 3 and Hamlet for Bell Shakespeare; Love for Darlinghurst Theatre Company; the touring production of 1984 for GWB Entertainment; Flood for Black Swan Theatre Co. Television credits include The Lost Flowers of Alice Hart, Mr Inbetween, Home and Away, Back to the Rafters, Stateless, Total Control, Diary of an Uber Driver, Mystery Road and The Secret City. Rose’s film credits include Proclivitas, Book Week, The Death and Life of Otto Bloom and Truth.

Angelina Daniel (She/her) is a Sydney-based emerging Set and Costume Designer for live performance. A Mirror is her mainstage debut! Angelina’s other recent design credits include Furious Mattress downstairs at 25A (Set Design), Miss Julie at FortyFiveDownstairs (Production Design) and Abigail Williams at Wharf 2 STC (Set and Costume Design). Angelina also worked with Elizabeth Gadsby on Sydney Theatre Company’s Picnic at […]

Angelina Daniel (She/her) is a Sydney-based emerging Set and Costume Designer for live performance. A Mirror is her mainstage debut!
Angelina’s other recent design credits include Furious Mattress downstairs at 25A (Set Design), Miss Julie at FortyFiveDownstairs (Production Design) and Abigail Williams at Wharf 2 STC (Set and Costume Design). Angelina also worked with Elizabeth Gadsby on Sydney Theatre Company’s Picnic at Hanging Rock and with Pip Runchiman on Sydney Festival’s Siegfried and Roy.
Angelina graduated with a BFA from the National Institute of Dramatic Arts (2024) and was awarded the APDG Most Outstanding Award for the Design for Performance Course. Angelina is proud of her position on the National Executive of the APDG (Australian Production Design Guild) as an Emerging Designer Representative.

Phoebe is a Sydney based lighting designer predominantly working in new Australian work and devised processes, with her credits spanning across theatre, musical theatre, dance and events. Phoebe enjoys vibrant, ambitious projects where chaos sparks creativity. She is committed to developing fresh, innovative projects with Australia’s young creatives. Most recently, Phoebe designed the lighting for […]

Phoebe is a Sydney based lighting designer predominantly working in new Australian work and devised processes, with her credits spanning across theatre, musical theatre, dance and events.
Phoebe enjoys vibrant, ambitious projects where chaos sparks creativity. She is committed to developing fresh, innovative projects with Australia’s young creatives.
Most recently, Phoebe designed the lighting for THE EDIT, from writer/director Gabrielle Scawthorn at Belvoir 25A; WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN, directed by Alexander Berlage for Hayes Theatre and Pinwheel Productions; and worked with lighting designer Paul Jackson as Associate Lighting Designer on Belvoir’s THE SPARE ROOM starring Judy Davis.
Other recent designs include; A MODEL MURDER (Sydney Festival), NEVER CLOSER, HOLDING THE MAN (Belvoir), A STREETCAR NAMED DESIRE, HAND TO GOD (Redline Productions), HOT TUB, THE ITALIANS (Belvoir 25A) and LA CAGE AUX FOLLES (ACM).
Previous designs include THIS BITTER EARTH (Theatreworks), UNVEILING: GAY SEX FOR ENDTIMES, HIRO (The Blue Room Theatre) and MINUS ONE SISTER (The Blue Room and State Theatre Centre of WA)
Phoebe is one half of independent queer theatre company, Bub, and a graduate from both the Western Australian Academy of Performing Arts (Production & Design) and the National Institute of Dramatic Art (M.F.A Design for Performance).

Daniel Herten (they/them) is a Sound Designer, Composer, Video Designer and Creative Technologist working across live performance and interactive media. Belvoir credits include: A Mirror; for Belvoir 25A, Furious Mattress composer. Daniel’s other credits include: for Sydney Theatre Company, The Picture of Dorian Gray Australian sound associate (with Michael Cassel Group), Circle Mirror Transformation associate sound […]

Daniel Herten (they/them) is a Sound Designer, Composer, Video Designer and Creative Technologist working across live performance and interactive media. Belvoir credits include: A Mirror; for Belvoir 25A, Furious Mattress composer. Daniel’s other credits include: for Sydney Theatre Company, The Picture of Dorian Gray Australian sound associate (with Michael Cassel Group), Circle Mirror Transformation associate sound designer; for Griffin Theatre Co, The Lewis Trilogy, Sistren, Whitefella Yella Tree associate composer and sound designer; for Hayes Theatre Co, Murder For Two: Christmas Edition sound designer, Ride The Cyclone video and sound designer, Flat Earthers: The Musical sound designer and associate video designer and animator; for Ensemble Theatre, Fly Girl; for One Eyed Man Productions, Calamity Jane sound designer (with Hayes Theatre Co); for Essential Workers, Collapsible composer and sound designer and co-video designer; for Clockfire Theatre Co, Plenty of Fish in the Sea, for RISING Festival, Set Piece sound designer; for Tinderbox Productions, Black Box the Musical sound designer. Daniel won a 2025 Sydney Theatre Award for Best Sound Design and Composition of a Mainstage Production for Grief is the Thing with Feathers (with Freya Schack-Arnott) and was nominated in the same category for The Lewis Trilogy in 2024. Daniel was the Australian sound associate for The Picture of Dorian Gray on Broadway (Michael Cassell Group) where the production received a total of six Tony Award® nominations, including Best Sound Design of a Play.

This is Jake’s first production at Belvoir. Jake is most well known for his series regular role Oscar MacGuire on the popular TV drama Home and Away. Jake’s theatre credits include Sweet Charity for Prospero Arts. A Midsummer Night’s Dream & Timon of Athens for Sport For Jove. Photograph 51, Marjorie Prime and Barefoot In The Park for […]

This is Jake’s first production at Belvoir. Jake is most well known for his series regular role Oscar MacGuire on the popular TV drama Home and Away. Jake’s theatre credits include Sweet Charity for Prospero Arts. A Midsummer Night’s Dream & Timon of Athens for Sport For Jove. Photograph 51, Marjorie Prime and Barefoot In The Park for The Ensemble Theatre. Catch Me If You Can for The Hayes Theatre for which he was nominated for a Sydney Theatre Award for Best Male Performance in a Musical. Jake was also a member of the ensemble and lead cover for the Australian tour of Kinky Boots The Musical for The Michael Cassel Group. His screen credits also include the feature film Backyard Ashes, Lords of the Soil, as well as appearances in the Netflix limited series, Clickbait. In 2021 Jake directed and played the title role in the sold-out regional production of William Shakespeare’s Henry V. Jake graduated from NIDA’s Bachelor Acting program in 2012 and has been a member of the Australian Army Reserve since 2021.

Diego is a Chilean-Australian actor and fight choreographer based in Sydney/Gadigal with a B. Performance from Theatre Nepean’s final graduating year in 2008. Recent fight choreography credits include: A Mirror (Belvoir), Grief is the Thing with Feathers (Belvoir), Purpose (STC), Timon of Athens (Sport for Jove), Taming of the Shrew (Playwrought Project), Port (December Theatre Co/KXT), […]

Diego is a Chilean-Australian actor and fight choreographer based in Sydney/Gadigal with a B. Performance from Theatre Nepean’s final graduating year in 2008. Recent fight choreography credits include: A Mirror (Belvoir), Grief is the Thing with Feathers (Belvoir), Purpose (STC), Timon of Athens (Sport for Jove), Taming of the Shrew (Playwrought Project), Port (December Theatre Co/KXT), POSH (Old Fitz/Queen Hades), Furious Mattress (Belvoir 25A), Werkaholics (Belvoir 25A), Pride and Prejudice (Old Fitz), SHOOK (Lost Thought/Qtopia), A Very Expensive Poison (New Theatre), The Wasp (Akimbo + Co), Apocka-wocka-localypse (Tooth and Sinew), One Man Two Guv’nors (New Theatre), Labyrinth (Flight Path) and U.B.U (Tooth and Sinew/KXT).
Diego has also spent the last 16 years in professional wrestling as a wrestler, trainer and most recently Ring Announcer for Pro Wrestling Australia (PWA)

Chloë Dallimore is an internationally trained and accredited Intimacy Coordinator and Director working across stage and screen. At Belvoir, she has worked on At What Cost?, Miss Peony, The Cherry Orchard, The Master & Margarita, and Big Girls Don’t Cry. Her other theatre credits include; Flat Earthers, Naturism, and Sex Magick with Griffin Theatre Company; […]

Chloë Dallimore is an internationally trained and accredited Intimacy Coordinator and Director working across stage and screen. At Belvoir, she has worked on At What Cost?, Miss Peony, The Cherry Orchard, The Master & Margarita, and Big Girls Don’t Cry. Her other theatre credits include; Flat Earthers, Naturism, and Sex Magick with Griffin Theatre Company; Chicago, The Rocky Horror Show and Wicked with Crossroads Live; Alone It Stands, Uncle Vanya, ARIA, and The Glass Menagerie with Ensemble Theatre Company; Ride The Cyclone, Zombie! and The Pirates of Penzance with Hayes Theatre Company; Amadeus, RENT, 2025 Winter and 2026 Summer Seasons with Opera Australia; and Circle Mirror Transformation, Dear Evan Hansen, The Shiralee, The Talented Mr Ripley, 4000 Miles, and The Tempest for Sydney Theatre Company.
Chloë’s film credits include Send Help, Play Dirty, Bump Christmas and I Know What You Did Last Summer. Her television work includes Heartbreak High, Bump, Colin From Accounts, NCIS: Sydney, Strife, The Lost Flowers of Alice Hart, The Twelve, Last King of the Cross, The Artful Dodger, North Shore, Playing Gracie Darling, The Last Anniversary and Return To Paradise.
She received the Australian Entertainment Mo Award for Female Musical Theatre Performer in 2004, the Helpmann Award for Best Female Actor in a Musical in 2005, the Sydney Theatre Awards for Best Actress in a Supporting Role in 2005, and the Victorian Green Room Association Awards for Best Leading Female Artist in Music Theatre in 2005.

A Mirror marks Felicity’s first vocal coaching credit for Belvoir. She appeared in Chambres at Belvoir Downstairs (dir. Laurie Foell). Prior vocal coaching collaboration with director Margaret Thanos includes Posh, A Very Expensive Poison, and Labyrinth, covering British, Russian & American dialects. Dialect coaching credits include Apex (Australian Accent Coach to Taron Egerton, Netflix/dir. Baltasar Kormàkur), Furiosa (Australian Accent Coach to Tom Burke, Warner Bros./dir. George Miller), The Last Anniversary (Russian Accent […]

A Mirror marks Felicity’s first vocal coaching credit for Belvoir. She appeared in Chambres at Belvoir Downstairs (dir. Laurie Foell).
Prior vocal coaching collaboration with director Margaret Thanos includes Posh, A Very Expensive Poison, and Labyrinth, covering British, Russian & American dialects.
Dialect coaching credits include Apex (Australian Accent Coach to Taron Egerton, Netflix/dir. Baltasar Kormàkur), Furiosa (Australian Accent Coach to Tom Burke, Warner Bros./dir. George Miller), The Last Anniversary (Russian Accent Coach, dir. John Polson), Last Days of the Space Age (Disney+/Russian Accent Coach), and Misery Loves Company (dir. Mat Lee, Northern Irish Accent Coach).
Acting coaching credits include PLUM, PM’s Daughter, Total Control (S3) & Acting Coach to Lila McGuire as Evonne Goolagong-Cawley in Goolagong (dir. Wayne Blair).
Acting credits incl; Not Russian Anywhere (AACTA-nominated), Evicted – A Modern Romance (SFF Audience Award), The Hour We Knew Nothing of Each Other (Sydney Fest), and One Flew Over the Cuckoo’s Nest (Sport for Jove).
Felicity is part of the multi accent cast for Audible Original’s Full Throttle due for release in March.

Jen Jackson is a Korean-Australian stage manager, living and working on Gadigal land, with a particular passion for new Australian work and a commitment to diversity in theatre. After attending UNSW in a Bachelor of Arts majoring in Theatre & Performance, she continued her studies at NIDA with a degree in Technical Theatre & Stage […]

Jen Jackson is a Korean-Australian stage manager, living and working on Gadigal land, with a particular passion for new Australian work and a commitment to diversity in theatre. After attending UNSW in a Bachelor of Arts majoring in Theatre & Performance, she continued her studies at NIDA with a degree in Technical Theatre & Stage Management.
As Stage Manager: Lose To Win (Belvoir), Koreaboo, Golden Blood黄金血液, Pony, End Of. (Griffin Theatre Company), How To Plot A Hit In Two Days, Master Class (Ensemble Theatre), Lost in Shanghai, The Bridal Lament, Double Delicious (Contemporary Asian Australian Performance), Nothing (National Theatre of Parramatta). As Assistant Stage Manager: Song of First Desire, At What Cost (Belvoir), Rinaldo (Pinchgut Opera).

Estelle is a Sydney-based Stage Manager and a recent graduate of the Western Australian Academy of Performing Arts (WAAPA), where she completed a Bachelor of Performing Arts (Stage Management). Recent credits include Assistant Stage Manager on Never Have I Ever (Black Swan Theatre Company), Stage Manager on Amber (Old Fitz Theatre) and WAAPA productions, including Assassins (2022), Footloose (2023), Head Over Heels (2024), and Nora: A […]

Estelle is a Sydney-based Stage Manager and a recent graduate of the Western Australian Academy of Performing Arts (WAAPA), where she completed a Bachelor of Performing Arts (Stage Management). Recent credits include Assistant Stage Manager on Never Have I Ever (Black Swan Theatre Company), Stage Manager on Amber (Old Fitz Theatre) and WAAPA productions, including Assassins (2022), Footloose (2023), Head Over Heels (2024), and Nora: A Doll’s House (2024).
We read this contemporary British play one afternoon and straight away knew we had to do it. It’s like Pirandello and Kafka meet Tom Stoppard, it’s carefully put together, it knows what it’s saying, and it’s very entertaining. There’s a sting in the tail, too. It’s wonderful to have Yalin and Rose back, and to introduce director Margaret Thanos to our mainstage. – Eamon
A Mirror was first presented at the Almeida Theatre, London, on the 15th of August 2023 and subsequently transferred to Trafalgar Theatre in January 2024 in a production co-produced by the Almeida Theatre, Second Half Productions, Rodeo Productions/ Tilted, Winkler and Smalberg, Trish Wadley Productions and Sayers and Sayers Productions.
See this play for:
POLITICAL THEATRE
META THEATRE
Tickets are only $25 per student with one complimentary teacher ticket for every ten students booked.
School groups can book any general public performance. Book our Thursday 1pm matinees for the schools performance price of $25 per ticket, or an evening performance from $45 per student.
Belvoir creates for a wide audience and our productions may contain mature content. Accurate information about productions including running times and content is available once rehearsals have begun. Select a time Sat, 21 Feb 2026 – 7:30pm – Preview Session Sun, 22 Feb 2026 – 6:30pm – Preview Session Tue, 24 Feb 2026 – 7:30pm – Preview Session Wed, 25 Feb 2026 – 7:30pm – Opening Night (Invite Only) Thu, 26 Feb 2026 – 7:30pm Fri, 27 Feb 2026 – 7:30pm Sat, 28 Feb 2026 – 2:00pm Sat, 28 Feb 2026 – 7:30pm Sun, 1 Mar 2026 – 5:00pm Tue, 3 Mar 2026 – 6:30pm – Q&A Following Performance Wed, 4 Mar 2026 – 6:30pm Thu, 5 Mar 2026 – 1:00pm Thu, 5 Mar 2026 – 7:30pm Fri, 6 Mar 2026 – 7:30pm – Queer Night Sat, 7 Mar 2026 – 2:00pm Sat, 7 Mar 2026 – 7:30pm Sun, 8 Mar 2026 – 5:00pm Tue, 10 Mar 2026 – 6:30pm Wed, 11 Mar 2026 – 11:30am – School Performance Wed, 11 Mar 2026 – 6:30pm Thu, 12 Mar 2026 – 7:30pm Fri, 13 Mar 2026 – 7:30pm Sat, 14 Mar 2026 – 2:00pm Sat, 14 Mar 2026 – 7:30pm Sun, 15 Mar 2026 – 5:00pm Tue, 17 Mar 2026 – 6:30pm Wed, 18 Mar 2026 – 6:30pm Thu, 19 Mar 2026 – 1:00pm – Unwaged Performance Thu, 19 Mar 2026 – 7:30pm Fri, 20 Mar 2026 – 7:30pm Sat, 21 Mar 2026 – 2:00pm Sat, 21 Mar 2026 – 7:30pm Sun, 22 Mar 2026 – 2:00pm – Closing
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See this play for:
POLITICAL THEATRE
META THEATRE
Tickets are only $25 per student with one complimentary teacher ticket for every ten students booked.
School groups can book any general public performance. Book our Thursday 1pm matinees for the schools performance price of $25 per ticket, or an evening performance from $45 per student.
Belvoir creates for a wide audience and our productions may contain mature content. Accurate information about productions including running times and content is available once rehearsals have begun.
For more information about our education programs, please get in touch.
Head of Education Jane May
+61 (2) 8396 6241
Complete this form to request tickets for A Mirror
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Help us break down barriers, build confidence and unleash creativity – make your donation today.