The Cherry Orchard

Anton Chekhov

Eamon Flack

Eamon Flack is the Artistic Director of Belvoir St Theatre. He was born in Singapore and grew up in Singapore, Darwin, Cootamundra and Brisbane. He trained as an actor at WAAPA from 2001 to 2003 and has since worked as a director and writer around Australia and internationally, from the Tiwi Islands to Sri Lanka, London and New York. 

His directing credits for Belvoir include: Counting and Cracking (with Associate Director S. Shakthidharan, Helpmann Award for Best Play and Best Direction of a Play), The Jungle and the Sea (co-directed with S. Shakthidharan, Sydney Theatre Award for Best Play), The Master and Margarita, Angels in America (Helpmann Award for Best Play), August: Osage County (Sydney Theatre Awards for Best Director and Best Show), The Glass Menagerie (Helpmann Award for Best Play), Tommy Murphy’s Packer & Sons, Rita Kalnejais’s Babyteeth, Alana Valentine’s Wayside Bride (co-directed with Hannah Goodwin), Tom Wright’s adaptation of Brecht’s Life of Galileo, Eamon’s own adaptations of Helen Garner’s The Spare Room, Hendrik Ibsen’s Ghosts, and Chekhov’s The Cherry Orchard and Ivanov (Sydney Theatre Awards Best Production and Best Director), as well as Into the Woods, The Rover, The Blind Giant is Dancing, As You Like It, and Beckett’s The End. Other directing credits include A Midsummer Night’s Dream (Bob Presents/B Sharp) and Wulamanayuwi and the Seven Pamanui by Jason de Santis (Darwin Festival). 

His writing and adaptation credits include: Associate Writer of S. Shakthidharan’s Counting and Cracking (Nick Enright Prize for Playwriting at the NSW Premier’s Literary Awards, the Victorian Literary Prize and the Victorian Premier’s Award for Drama, Helpmann for Best New Work), co-writer with S. Shakthidharan of The Jungle and the Sea (Victorian Premier’s Award for Drama, Sydney Theatre Awards for Best New Work); Helen Garner’s The Spare Room; a stage adaptation of Christina Stead’s The Man Who Loved Children; Chekhov’s The Cherry Orchard and Ivanov, Gorky’s Summerfolk, Sophocles’ Antigone and Ibsen’s Ghosts; co-adapter with Leah Purcell of Ruby Langford Ginibi’s memoir Don’t Take Your Love To Town; and co-deviser of Beautiful One Day with artists from ILBIJERRI, version 1.0, and the community of Palm Island. 

 For orchestral concert he has adapted and directed A Midsummer Night’s Dream alongside Mendelssohn’s score for the Sydney Symphony Orchestra and Belvoir St Theatre conducted by Simone Young, and directed and co-created Beethoven and Bridgetower with Anna Goldsworthy, Rita Dove and Richard Tognetti for the Australian Chamber Orchestra. 

Peter Carroll

Peter’s distinguished career has spanned over 100 productions and 50 years. He has worked with the major theatre companies and commercial managements in Australia. Peter was a founding member of Nimrod Theatre Company in the 1970s and has been with Sydney Theatre Company from its Opera House beginnings and was a member of their actor’s company more recently.

Peter has appeared in notable works at Belvoir such as Oedipus Rex, Happy Days, Twelfth Night, The Cherry Orchard, The Chairs, Life of Galileo, An Enemy of the People, Mark Colvin’s Kidney, Seventeen, Christmas Carol, Old Man and Into The Woods and most recently King Lear.

His recent plays include Girl from the North Country (GWB), Little Women (Hayes Theatre), The Dismissal (Squabbalogic), The Player Kings (Sport for Jove), The Tempest, Do Not Go Gentle (Sydney Theatre Company), Coriolanus and Julius Caesar (Bell Shakespeare) and The Dapto Chaser (Ensemble Theatre).

Peter’s film and television career has been extensive here in Australia and internationally. Select TV credits include Playing Gracie Darling, Aftertaste, Optics, Colin from Accounts, Melba, Five Mile Creek, Bump, The Letdown, Bloom, and Rake. Film credits include The Power of the Dog, Sleeping Beauty, Chant of Jimmie Blacksmith and Crazy Rich Asians.

Peter has won many awards including Green Room Awards, Sydney Theatre Critics’ Circle, Helpmann, and an Honorary Doctorate of Creative Arts from Wollongong. Peter is the inaugural recipient of the Media Arts & Entertainment Alliance’s Lifetime Achievement Award; and he continues to be a proud supporter of the union. Peter was awarded an AM for his services to the theatre in 2021.

Priscilla Doueihy

Nadie Kammallaweera

Born in Colombo, Sri Lanka, Nadie Kammallaweera is a theatre, film, and television actor. She has acted in stage plays, movies, and television dramas. Nadie’s recent work as an actor in Australia includes Drive your Plow Over the Bones of the Dead (2026) The Wrong Gods (2025), Counting and Cracking (2024), Jungle and the Sea (2022), Counting and Cracking (2019), Cherry Orchard (2021) by Belvoir Street Theatre, Separated at Birth and Wakefield (ABC TV Series), and Bump (Stan Australia TV Series). Her theatre credits elsewhere include Kalumali for the Stage Theatre Group Colombo; The House of Bernarda Alba, Blood Wedding, Snow White and the Seven Dwarfs, and Mother Courage and Her Children for Somalatha Subasinghe Play House Colombo. Her television credits overseas include The Young Pope for HBO, The New Pope for HBO, Bedde Kulawamiya for SLRC (Sri Lanka), and Sansasre Piyasatahan for ITN (Sri Lanka). Nadie’s feature films include Asoka Handagama’s This is My Moon, Prasanna Vithanage’s August Sun, Visakesa Chandrasekaram’s Pangshu, Malith Hegoda’s Strange Familiar, and Fabrizio Costa’s Mother Teresa of Calcutta. Nadie won the Green Room Award for Outstanding Performance for Counting and Cracking (2025). Some of the awards Nadie has won in Sri Lanka are Best Supporting Actress in a Movie (2021), Best Actress in a Series (2018), Best Translation (Drama) of the Year (2005), Presidential Award for Best Female Actor in a Supporting Role (2005), Best Upcoming Actress (Movie) (2004 and 2003), and the BUNKA Award of Recognition for Valuable Contribution to Sri Lankan Theatre.

Kirsty Marillier

Lucia Mastrantone

Lucia has a successful career in theatre, physical theatre, film, TV and as a voice artist.  Select theatre credits include Sydney Theatre Company: The Harp in the South, Talk, Marriage Blanc, Romeo & Juliet. Belvoir: The Cherry Orchard, Atlantis, Twelfth Night, The Book of Everything, Scorched, Macbeth. Hayes Theatre: Young Frankenstein. Griffin: Window, Cricket Bat, Dead Cat Bounce, Kill Climate Deniers, Ladies Day. Darlinghurst Theatre: The Hypochondriac. Bell Shakespeare: The Duchess of Malfi. STCSA: The Merchant of Venice, VERONA. MTC: The Venetian Twins. Physical theatre: Shaun Parker Dancers: Blue Love. Legs on the Wall: Under The Influence (Edinburgh, Europe Tour). Urban Theatre: The Longest Night. TV: The Secrets She Keeps S2, The Letdown S1, Home and Away, Pacific Heat, Rake S3, Tangle. Film: Look Both Ways, Dog, Stealth, Spank, Blackrock. Director: Movement and Co-Director for The Baulkham Hills African Ladies Troupe Belvoir and Opera House. Awards: Humanitarian Of The Year Award, Oscars Critics Best Actress, Queen’s Trust.

Mandela Mathia

Mandela was born in South Sudan and spent the majority of his childhood years in the north of the country and in Egypt, due to the civil war in Sudan. He arrived in Australia in 2008.

Since graduating from NIDA he has appeared in Sami in Paradise, The Cherry Orchard (Belvoir); The Rolling Stone (Outhouse Theatre Company); Prize Fighter (National Tour with La Boite); Othello, Romeo and Juliet and Twelfth Nights (Sport for Jove); Macbeth (Sport for Jove) and played Hamlet in Sydney Foreign Actors Association in the production of HEMLET.

Mandela has shown interest in not only performing on stage, but also playwriting. He co-wrote a short film with emerging successful filmmakers out in the industry, which he has starred in some of these films such as I Am Emmanuel and Kill off. Mandela has starred in All These Creatures short film that won a prestigious awards the “Palme door “ at Cannes Film Festival and the 2018 AACTA Award. With the film All These Creatures’ success, Mandela have been nominated for best leading role of Mel in the Reel-good Film Festival early in 2019. In 2022, Mandela made his debut on Australian TV on the show The Twelve starring along side some of Australian most acclaim actor Sam Neil.

Mandela was nominated for best supporting role in 2018 for the play The Rolling Stone. By the following year, he was nominated for best leading role of Mel in the Reel-good Film Festival early in 2019 for All These Creatures short film

Recently starring in vertical drama, Going Home (2025), Mandela continues to work across stage and screen, bringing his own stories to life while contributing to bold, innovative and diverse storytelling in the Australian arts industry. Mandela has co-written and starred in a feature film Boss Cat which will be in Australian cinemas late this year (2026).

Sarah Meacham

Sarah is a graduate of the University of Wollongong, Bachelor of Performance – Acting. Since graduating, her theatre credits include: The Cherry Orchard (Belvoir dir. Eamon Flack), First Love is the Revolution (Griffin Theatre Co.), Extinction of the Learned Response (Belvoir 25A, Glitterbomb dir. Carissa Licciardello), The Wolves (Belvoir and Redline Productions dir. Jessica Arthur) You Got Older (Mad March Hare Theatre Co. dir. Claudia Barrie), Dry Land (Mad March Hare Theatre Co. and Outhouse Theatre Co. dir. Claudia Barrie), All Good Things (ATYP dir. Iain Sinclair) and Phedre (touring the Asia-Pacific Bureau Directors’ Conference and Theatre Festival in Shanghai). In 2018, Sarah was awarded the Sydney Theatre Award for Best Female Actor in a Leading Role for an Independent Production (for Dry Land which received a total of 5 Sydney Theatre Award Nominations). Screen credits include: Significant Others (ABC), Bump (Stan), Parisian Jam (dir. Rohan Bates), Doggy (dir. Troy Baird) and Amelia in Amelia (dir. Abhiram Joshi). Sarah has been a proud member of Actors Equity since 2013.

Josh Price

Josh graduated from VCA in Acting in 2008 and quickly established himself in Melbourne theatre regularly performing for MTC, Malthouse and Chunky Move. Since moving to Sydney he has performed in A Streetcar Named Desire (Red Line/Old Fitz), Let The Right One In (Darlinghurst) The Cherry Orchard (Belvoir), Titus Andronicus (Bell Shakespeare) and Going Down (STC/Malthouse). During 2020 Josh was part of Belvoir’s Artists at Work program.  Other theatre includes The Violent Outburst That Drew Me to You (MTC), Complexity Of Belonging (MTC/Chunky Move), An Ideal Husband (MTC), Looking Glass (Fortyfive Downstairs), Antigone (Malthouse). The Good Person Of Szechuan (Malthouse/National Theatre of China), M+M (Melbourne Festival), The Histrionic (Malthouse/STC) and Elektra (Fraught Outfit/The Dog Theatre. Musical Theatre: Blue Angel (Big Hart), Margaret Fulton Queen Of The Desert (Theatreworks) and The Love Birds (Melbourne Festival). TV: Latecomers (SBS), After The Verdict (Nine Network), Molly (Seven Network) Australia On Trial (ABC), Underbelly: Infiltration (Nine Network) and City Homicide (Seven Network). Feature Films: You Can Say Vagina and John Doe: Vigilante.

Pamela Rabe

Pamela’s most recent Belvoir credits include DRIVE YOUR PLOW OVER THE BONES OF THE DEAD, AUGUST: OSAGE COUNTY, THE CHERRY ORCHARD, DANCE OF DEATH, GHOSTS, and THE GLASS MENAGERIE. From over 100 productions, other theatre highlights include REBECCA, HAPPY DAYS, THE CONFESSIONS (National Theatre UK and European tour), THE CHILDREN, LES LIAISONS DANGEREUSES,GREY GARDENS, THE BEAUTY QUEEN OF LEENANE, A LITTLE NIGHT MUSIC,PRIVATE LIVES, A ROOM OF ONE’S OWN, MUCH ADO ABOUT NOTHING, THE WIZARD OF OZ and, while a founding member of the Sydney Theatre Company’s Actors’ Ensemble, several acclaimed productions includingMOTHER COURAGE AND HER CHILDREN, Benedict Andrews’ THE WAR OF THE ROSES, THE SEASON AT SARSAPARILLA, and Barry Kosky’s THE LOST ECHO. Pamela has also directed plays for Sydney Theatre Company, Melbourne Theatre Company and Malthouse Theatre. Her recent work in television includes DEADLOCH,BAY OF FIRES and WENTWORTH. Pamela has appeared in several feature films including SIRENS, PARADISE ROAD, VACANT POSSESSION,COSI, andTHE WELL. She has received many accolades for her theatre, film and television work, including Helpmann, Green Room, Logie, Variety Club, Stockholm Film Festival and AFI/AACTRA awards. In 2023 she was made a Member of the Order of Australia (AM) for her distinguished services to the Arts.

Keith Robinson

Jack Scott

Jack Scott will next be seen in the highly anticipated Network Seven series RFDS.  He most recently appeared in the International Emmy Kids Award winning ABC series Hardball, ABC/HBO Max series Frayed and the feature film Hearts And Bones. 

Since graduating from the Western Australian Academy of Performing Arts in 2017, his other screen credits include the AFTRS Webseries Nanny Academy, ABC series Back In Very Small Business and Rosehaven, and Tonightly With Tom Ballard.  Jack has also starred on stage in The Cherry Orchard for Belvoir, We Are Gods for NIDA, Necrophillia for JackRabbit Theatre, Cool Pool Party and Hamlet for Ban Shakesepare.

Jack has a strong comedy background performing in numerous improv shows with Improv Theatre Sydney, including at the Sydney Comedy Festival, the Sydney Fringe Comedy Festival and the Melbourne International Comedy Festival.  While at WAAPA, he performed the roles of Mr Van Daan in The Diary Of Anne Frank and Tiger Brown in Threepenny Opera. He starred in the WA Screen Academy film Dark Horses, for which he won the Best Actor Award at the Next Gen Film Festival and the WA Unlocked Film Festival.

Charles Wu

Charles Wu is one of Australia’s most exciting actors of stage and screen.

Charles’ theatre credits include The True History Of The Life And Death Of King Lear & His Three Daughters The Cherry Orchard alongside Pamela Rabe, An Enemy of the People, Jasper Jones, Scenes from the Climate Era, Ms. Peony, Samson, The Overcoat: A Musical (Belvoir), The Resistible Rise of Arturo Ui alongside Hugo Weaving, The Lifespan of a Fact, The Importance of Being Earnest, Mosquitoes, Three Sisters, Chimerica (Sydney Theatre Company), Golden Blood (Griffin Theatre), The Rise and Fall of Little Voice (Darlinghurst Theatre), The Questions (State Theatre Company South Australia), Bernhardt/Hamlet and Torch the Place for which he won a Green Room award for Best Actor (Melbourne Theatre Company).

Charles is well known for his work on the popular series Doctor Doctor. His other television credits include Summer Love, The Letdown, Harrow, Here Come the Habibs, and Secret City. Charles can also be seen in the feature film Australia Day alongside Bryan Brown, and the web series Liberty Street.

Charles is the lead singer/songwriter of Sydney indie rock band Earthquake Magnificent. He is currently co-writing his first feature film and was a 2024 Heath Ledger Scholarship Finalist.

Romanie Harper

Romanie Harper is a designer from Naarm/Melbourne working across theatre, dance and experimental performance. Some design credits include The Master & Margarita, The Cherry Orchard and Packer and Sons (Belvoir St Theatre), The Black Woman of Gippsland, Meet Me at Dawn and Sunshine Super Girl (Melbourne Theatre Company), Swim (Griffin Theatre Company), Fu*ck Christmas, Nosferatu, K-BOX, Australian Realness, Trustees, Good Muslim Boy and Little Emperors (Malthouse), 8/8/8: REST and 8/8/8:WORK (Rising Festival), The Crying Room; Exhumed (The Substation),, Shhh and Desert 6.29pm (Red Stitch Actors Theatre), Hercules, Die! Old People Die! and We All Know Whats Happening (Arts House), What Am I Supposed to Do? (Deep Souful Sweats), Slip, Contest and Moral Panic (Darebin Speakeasy), Bad Boy, Runt and This Is Eden (Fortyfive Downstairs).

Nick Schlieper

Nick Schlieper has designed for all of the major performing arts companies in Australia and works regularly internationally.

Recent productions for Belvoir include Master and Margarita, Opening Night, Packer & Sons, Ghosts and set and lighting for Scenes From The Climate Era and Once In Royal David’s City.

His many productions for STC include Dracula, The Tempest, Jekyll & Hyde and The War of the Roses as well as set and lighting designs for Happy Days, Endgame, Face To Face and Baal.

For MTC, his work includes As You Like It, Twelfth Night, Macbeth, Richard III, Hamlet and The Tempest as well as set and lighting for North By Northwest (with Simon Phillips) and Photograph 51.

Nick’s international work includes productions for The Salzburg Festival, Hamburg and Bavarian State Operas, Royal Shakespeare Company, and The London Barbican as well as productions in Vienna, Berlin, Hamburg, Munich and Oslo. Hedda Gabler, Streetcar Named Desire, Uncle Vanya and The Maids, also played in New York. His lighting designs for Dorian Gray, The Present and Priscilla, have been seen on Broadway and Gross und Klein also travelled to Paris, London and Vienna.

He has lit many productions for Opera Australia and was lighting and associate set designer for the first Australian production of The Ring Cycle in Adelaide.

Nick Schlieper has received seven Sydney Theatre Awards (two for set design and 5 for lighting design), six Melbourne Green Room Awards, and 5 Helpmann Awards. He recently received a Tony Award nomination for Dorian Gray on Broadway.

Stefan Gregory

Stefan Gregory is an Australian composer and sound designer for theatre, dance and film. His recent productions include: Medea (Brooklyn Academy of Music, NY), Yerma (The Young Vic, London), Medea, Ibsen Huis, Husbands And Wives (Toneelgroep Amsterdam), Drei Schwestern, Engel In Amerika, Medea (Theatre Basel), Trilogie de Vengeance, Les Trois Soeurs (L’Odeon, Paris), Avalanche (Barbican, London), There Is Definitely A Prince Involved (Australian Ballet, Melbourne), L’Chaim (Sydney Dance Company), Wonangatta, Cat On A Hot Tin Roof, Arturo Ui (Sydney Theatre Company), The Present (Broadway, NY), Counting And Cracking, The Wild Duck, Thyestes (Belvoir St Theatre, Sydney), The Dig (Netflix). He has worked with many esteemed directors and choreographers, including Simon Stone, John Crowley, Neil Armfield, Benedict Andrews, Anne-Louise Sarks, Eamon Flack, Kip WIlliams, Gideon Obarzanek, Matthew Lutton, Ralph Myers, Angelica Mesiti.

Stefan has won two Sydney Theatre awards, and OBIE, was nominated for a drama desk award, has received a Sidney Myer Fellowship and has won a Helpmann award.

Stefan was a band member of Faker from 2004-2009, which achieved a platinum release with This Heart Attack and was nominated for several ARIA awards (Australian Recording Industry Association).

Stefan has a degree in pure mathematics (Hons. 1st) from the University of Sydney and also studied at the Sydney Conservatorium of Music, but did not finish his diploma.

The son of science teachers and amateur folk musicians, Stefan grew up in a steel agricultural shed on a bushland property in the hinterland of Sydney with no electricty and a pet wallaby called Basil, where he nearly died from a red back spider bite at the age of nine.

Based in: Sydney, Australia

Elle Evangelista

Elle Evangelista loves dancing. Her BELVOIR choreography credits include Curious Incident of the Dog in the Night-Time, Holding the Man, The Master and Margarita, The Cherry Orchard, The Boomkak Panto, The Rep Season and Furious Mattress (25a). Her other theatre choreography credits include Mackenzie, Twelfth Night (Bell Shakespeare), A Very Expensive Poison (NIDA) and Where to Catch A Star and  How To Catch A Star (Australian Chamber Orchestra).

As a dancer she has worked for Force Majeure, KAGE Physical Theatre, Opera Australia and she has been awarded residencies to create new work by Ausdance NSW, DirtyFeet, Critical Path, March Dance, Brand X and Supercell Festival of Contemporary Dance. From 2019 – 2021, Elle was an Artist Representative on the Board of Critical Path and in 2022 a Belvoir Artistic Associate.

Elle has a Bachelor of Arts in English from UWA and a Bachelor of Arts in Dance from WAAPA. She was raised on Boorloo/Perth by her Filipino and Burmese family and currently lives on Garigal Land in Sydney with her partner and their young son.

Nigel Poulton

Nigel is an award-winning fight, movement, and intimacy director, SAG-AFTRA stunt performer and actor with over 17 years of national and international experience. He is a Fight Master with the Society of American Fight Directors.

Belvoir credits include: THE SPARE ROOM, THE WRONG GODS, BIG GIRLS DON’T CRY, AUGUST: OSAGE COUNTY,  THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, NEVER CLOSER, HOLDING THE MAN, COUNTING AND CRACKING, THE REP SEASON, THE MASTER AND MARGARITA, INTO THE WOODS, THE JUNGLE AND THE SEA, LIGHT SHINING IN BUCKINGHAMSHIRE, WAYSIDE BRIDE, AT WHAT COST, CHERRY ORCHARD, MISS PEONY, MY BRILLIANT CAREER, CURSED!, PACKER AND SONS, THINGS I KNOW TO BE TRUE, COUNTING AND CRACKING, DANCE OF DEATH, SAMI IN PARADISE, THE SUGAR HOUSE, A TASTE OF HONEY, AN ENEMY OF THE PEOPLE, PRIZEFIGHTER.

Other credits include: for Sydney Theatre Company, OIL, THE VISITORS, CONSTELLATIONS, ON THE BEACH, DO NOT GO GENTLE, FENCES, HUBRIS AND HUMILIATION, A RAISIN IN THE SUN, STRANGE CASE OF DR JEKYLL AND MR HYDE, TOP COAT, THE TENANT OF WILDFELL HALL, GRAND HORIZONS, APPROPRIATE, PLAYING BEATIE BOW, RULES FOR LIVING, THE DEEP BLUE SEA, LORD OF THE FLIES, THE BEAUTY QUEEN OF LEENANE, CAT ON A HOT TIN ROOF, HOW TO RULE THE WORLD, MARY STUART, DINNER, THE HARP IN THE SOUTH PART ONE AND PART TWO, THE LONG FORGOTTEN DREAM, BLACKIE BLACKIE BROWN (WITH MALTHOUSE), ACCIDENTAL DEATH OF AN ANARCHIST, THE RESISTIBLE RISE OF ARTURO UI, SAINT JOAN, SPEED THE PLOW, THREE SISTERS, DINNER, MURIEL’S WEDDING THE MUSICAL, BLACK IS THE NEW WHITE, A CHEERY SOUL, THE GOLDEN AGE, THE PRESENT, SWITZERLAND, MACBETH, NOISES OFF, CYRANO DE BERGERAC, THE REMOVALISTS, ROMEO & JULIET, ROMEO & JULIET (EDUCATION); for Melbourne Theatre Company, THE REMOVALISTS, A STREETCAR NAMED DESIRE, BERNHARDT/HAMLET, SHAKESPEARE IN LOVE, TWELFTH NIGHT, NOISES OFF, THREE LITTLE WORDS, JASPER JONES, QUEEN LEAR, HAMLET, REALISM, DON JUAN IN SOHO, MACBETH, THE GLASS SOLDIER, CYRANO DE BERGERAC; for Queensland Theatre, GASLIGHT, FIRST CASUALTY, BOY SWALLOWS UNIVERSE, TRIPLE X (WITH SYDNEY THEATRE COMPANY), CITY OF GOLD (WITH GRIFFIN THEATRE COMPANY), SCENES FROM A MARRIAGE, HYDRA, BLACK IS THE NEW WHITE, NOISES OFF! (WITH MELBOURNE THEATRE COMPANY), JASPER JONES, MUCH ADO ABOUT NOTHING, SWITZERLAND, MACBETH, FRACTIONS; for Bell Shakespeare, CORIOLANUS, IN A NUTSHELL: THE POETRY OF VIOLENCE, IN THE ROUND, KING LEAR, ROMEO AND JULIET (X4), HAMLET (X4), A MIDSUMMER NIGHT’S DREAM (X3), TWELFTH NIGHT, (X2), THE LOVERS, MUCH ADO ABOUT NOTHING, THE MISER, ANTONY AND CLEOPATRA, RICHARD III, OTHELLO, THE DREAM, MACBETH, JULIUS CAESAR; AS YOU LIKE IT (X2), SERVANT OF TWO MASTERS; La Boite: ARTISTS COMPANY (2021-22), CLOSER, TIDDAS, IRL, CAPRICORN, MISS PEONY, THE POISON OF POLYGAMY, AN IDEAL HUSBAND, THE LAST FIVE YEARS, JULIUS CAESAR, ROMEO AND JULIET, BLACKROCK, PRIZEFIGHTER, RICHARD III, COSI, A HOAX, JULIUS CEASAR, HAMLET.

Danielle Roffe

Danielle is an international voice and dialect coach, working in theatre film and TV as well as with a range of corporate clients.  She is currently based in Sydney where she lives with her husband, two children and a groodle.  She is drawn to voice as the conduit for hearing people’s stories.  Previous work includes:  Belvoir: Miss Julie, Gethsemane, That Face, The Power of Yes, Stories I Want to Tell You, In Person, Lonesome West. Other Theatre: Sydney Theatre Company: Home I’m Darling, Appropriate, Playing Beatie Bow, The Picture of Dorian Gray, Rules for Living, Wonnangatta, Pygmalion, Tusk Tusk (with ATYP), Like a Fishbone (with Griffin TC). Sydney Opera House: South Pacific, The History Boys. Old Fitz: Anatomy of a Suicide. Darlinghurst Theatre: The Pride. Film: The Drover’s Wife, Fantasy Island, Lego Ninjago Movie, Alien Covenant, Hacksaw Ridge, Crouching Tiger Hidden Dragon: The Green Legend, 2:22, The Daughter, Stranger Land, Backtrack, Slow West, Adore, Lemon Tree Passage, Wolf Creek 2, Evil Dead, Careless Love, Killer Elite, Uninhabited, Not Suitable for Children, Lagaan, The Search for John Gissing, Best: His Mother’s Son, Slaughter, Outcast. TV: Black Comedy,  Easybeats, Doctor Doctor, Banished, Underbelly, My Kitchen Rules, The Scouting Book for Boys, Holby City, Eastenders, The Bill. Positions: Teaching positions at NIDA, Actors’ Centre, Central School of Speech and Drama, Drama Centre, Mountview Academy of Theatre Arts and Theatre Academy of Live and Recorded Arts. Training: Central School of Speech and Drama

Khym Scott

Jessie Byrne