The Book Of Everything

Richard Tulloch

Guus Kuijer

Neil Armfield

Neil Armfield AO is a leading Australian director of theatre, opera and film. He was Co-Artistic Director of Adelaide Festival (2017 – 2022) and Artistic Director of Belvoir St Theatre for 17 years, which he also co-founded. Having directed well over 100 stage productions, including many world premieres, Neil’s Belvoir credits include Things I Know To Be True, The Diary of a Madman, The Book of Everything, Summer of the Seventeenth Doll, Toy Symphony, Exit the King, Keating!, Cloudstreet, Aliwa, The Judas Kiss, Up the Road, Hamlet, The Blind Giant is Dancing, No Sugar, The Tempest and Signal Driver. Other highlights include Handel’s Julius Caesar, Arthur Miller’s Death of a Salesman, Brett Dean’s Hamlet, Watershed: the Death of Dr Duncan, A German Life, Britten’s A Midsummer Night’s Dream, The Secret River and Angels in America.

Neil has directed for many of the world’s major opera companies and in addition to classics, has directed the new operas Frankie and The Eighth Wonder by Alan John, Love Burns by Graeme Koehne and Bliss by Brett Dean.
Neil’s screen credits are Candy and Holding The Man (features) and Edens Lost, The Fisherman’s Wake and Coral Island (television).
Over his distinguished career, Neil has received 2 AFI Awards, 12 Helpmann Awards and several Sydney Theatre, Victorian Green Room and Sydney Theatre Critics Circle Awards. In 2007 Neil was appointed Officer of the Order of Australia.

Kim Carpenter

Iain Grandage

Nigel Levings

Steve Francis

Steve has worked extensively in theatre, dance and screen. His Belvoir credits include The Wrong Gods, The Weekend, Jungle and the Sea, Tell me I’m Here, Cursed, My Brilliant Career, Packer & Sons, Things I Know To Be True, Winyanboga Yurringa, Every Brilliant Thing, The Sugar House, The Book of Everything, The Power of Yes, Ruben Guthrie, Baghdad Wedding, and Capricornia.

His other theatre credits include The Sound Inside, The Children, The Weir, The Sublime (MTC); Julia, No Pay No Way, Appropriate, Beauty Queen of Leanne, Still Point Turning, The Father, The Hanging, Disgraced, Battle of Waterloo, Switzerland, The Long Way Home, The Secret River, Machinal and Bloodland (STC); Boy Swallows Universe (QT); Love Stories (Brisbane Festival); Hamlet, Henry V (Bell Shakespeare); and Between Two Waves, This Year’s Ashes, Speaking in Tongues (Griffin).

For dance, Steve has composed music for Baleen (Adelaide Festival), Horizon, Wudjang, Sandsong, Dark Emu, Bennelong, Belong, True Stories, Skin, Walkabout, Bush (Bangarra Dance).

His awards include Helpmann Awards for Best Original Score in 2012 and 2003 and Best New Australian Work in 2003 and Sydney Theatre Awards in 2011 and 2014.

Julia Cotton

Eamon Flack

Eamon Flack is the Artistic Director of Belvoir St Theatre. He was born in Singapore and grew up in Singapore, Darwin, Cootamundra and Brisbane. He trained as an actor at WAAPA from 2001 to 2003 and has since worked as a director and writer around Australia and internationally, from the Tiwi Islands to Sri Lanka, London and New York. 

His directing credits for Belvoir include: Counting and Cracking (with Associate Director S. Shakthidharan, Helpmann Award for Best Play and Best Direction of a Play), The Jungle and the Sea (co-directed with S. Shakthidharan, Sydney Theatre Award for Best Play), The Master and Margarita, Angels in America (Helpmann Award for Best Play), August: Osage County (Sydney Theatre Awards for Best Director and Best Show), The Glass Menagerie (Helpmann Award for Best Play), Tommy Murphy’s Packer & Sons, Rita Kalnejais’s Babyteeth, Alana Valentine’s Wayside Bride (co-directed with Hannah Goodwin), Tom Wright’s adaptation of Brecht’s Life of Galileo, Eamon’s own adaptations of Helen Garner’s The Spare Room, Hendrik Ibsen’s Ghosts, and Chekhov’s The Cherry Orchard and Ivanov (Sydney Theatre Awards Best Production and Best Director), as well as Into the Woods, The Rover, The Blind Giant is Dancing, As You Like It, and Beckett’s The End. Other directing credits include A Midsummer Night’s Dream (Bob Presents/B Sharp) and Wulamanayuwi and the Seven Pamanui by Jason de Santis (Darwin Festival). 

His writing and adaptation credits include: Associate Writer of S. Shakthidharan’s Counting and Cracking (Nick Enright Prize for Playwriting at the NSW Premier’s Literary Awards, the Victorian Literary Prize and the Victorian Premier’s Award for Drama, Helpmann for Best New Work), co-writer with S. Shakthidharan of The Jungle and the Sea (Victorian Premier’s Award for Drama, Sydney Theatre Awards for Best New Work); Helen Garner’s The Spare Room; a stage adaptation of Christina Stead’s The Man Who Loved Children; Chekhov’s The Cherry Orchard and Ivanov, Gorky’s Summerfolk, Sophocles’ Antigone and Ibsen’s Ghosts; co-adapter with Leah Purcell of Ruby Langford Ginibi’s memoir Don’t Take Your Love To Town; and co-deviser of Beautiful One Day with artists from ILBIJERRI, version 1.0, and the community of Palm Island. 

 For orchestral concert he has adapted and directed A Midsummer Night’s Dream alongside Mendelssohn’s score for the Sydney Symphony Orchestra and Belvoir St Theatre conducted by Simone Young, and directed and co-created Beethoven and Bridgetower with Anna Goldsworthy, Rita Dove and Richard Tognetti for the Australian Chamber Orchestra.