Stop Girl

Sally Sara

Sally is a Walkley award-winning journalist, writer and author.

Sally has reported from more than 40 countries as a foreign correspondent with the ABC, including Iraq, Afghanistan and Sierra Leone.  She was the first female correspondent to be appointed to the ABC’s Johannesburg, New Delhi and Kabul bureaus.

Sally is an eight-time Walkley Award finalist and won for her television reporting on the famine in Somaliland.  In 2018, she was a finalist in the Graham Perkin Award – Australian Journalist of the Year.

Sally has won four UN Media Awards and been nominated for the AACTA and Logie Awards.  In 2007 she was selected as the International Women’s Media Foundation Elizabeth Neuffer Fellow in Washington DC.  She was Queensland Journalist of the Year and SA Young Journalist of the Year.

Sally has written for the New York Times and Boston Globe.  Her book, GOGO MAMA, profiled the lives of 12 African women and was long-listed for the Walkley Non-Fiction Book Award.

In 2011, Sally was appointed as a Member of the Order of Australia, AM, for service to journalism and the community.

Stop Girl is her first play.

Anne-Louise Sarks

Deborah was last at Belvoir in Company B’s Greek Tragedy. Other theatre credits include: Wicked Sisters (Griffin), Lady Tabouli (National Theatre Of Parramatta/Sydney Festival), Gods Of Strangers (State Theatre Company South Australia), The God Committee, Heartbreak Kid (Ensemble/tours), The Shearston Shift (Sydney Theatre Company/Australian People’s Theatre/tours), I’m With Her, The Mystery of Love & Sex (Darlinghurst Theatre Company), Meta

Anne-Louise works internationally as a director, writer and dramaturg. Her work for Belvoir includes Jasper Jones, Seventeen, Stories I Want To Tell You In Person, Nora, Elektra/Orestes and Medea. She was Resident Director at Belvoir from 2013-2015.

In 2019 she directed Avalanche for The Barbican Centre (London) and Sydney Theatre Company. In 2018 she was Artistic Director of the Lyric Ensemble at the Lyric Hammersmith (UK), directed a new production of her acclaimed Medea for Theater Basel (CH), directed a new adaptation An Enemy Of The People for Belvoir, and her production of Sarah Kane’s Blasted at Malthouse was nominated for four green room awards including Best Director.

Medea won five 2013 Sydney Theatre Awards. It was also awarded an AWGIE for Best Stage Play and in 2013 was nominated for four Helpmann Awards including Best Direction, Best New Australian Work and Best Play. In 2015 Anne-Louise directed a re-imagining of Medea at The Gate Theatre, London.

In 2011 she was Director in Residence at Malthouse Theatre Company, and from 2010-2013 Anne-Louise was Artistic Director of acclaimed Melbourne based independent theatre company The Hayloft Project.

Deborah Galanos

For Belvoir, Deborah was seen this year in Stop Girl, and was due to appear in 25A’s Son of Byblos which was unfortunately postponed. Other theatre credits: Greek Tragedy (Belvoir Company B), Wicked Sisters (Griffin), Lady Tabouli (National Theatre Of Parramatta/Sydney Festival), Gods Of Strangers (State Theatre Company South Australia), The God Committee, Heartbreak Kid (Ensemble), I’m With Her, The Mystery of Love & Sex (Darlinghurst Theatre Company), Antigone (Sport For Jove), Metamorphoses (Apocalypse/Old Fitz), Unfinished Works, Homesick (Bontom/Seymour/505), Seagull (Secret House), Dropped (The Goods Theatre Company/Old Fitz), House of Ramon Iglesia (MopHead/Old Fitz), Who’s Afraid of Virginia Woolf? (theatrongroup), Mum’s The Word (Burberry Productions/Australian tours/SOH Playhouse/Glen Street), A Kind of Alaska, Suddenly Last Summer, Hotel Hibiscus (NIDA company), Boswell for the Defence (Sydney Festival), The Shearston Shift (STC/Australian People’s Theatre). Television credits: Children’s Hospital, My Place, Police Rescue, G.P., Pulse, Rake, Redfern Now (ABC); Camp (NBC/Matchbox); Murder Call (Nine Network); A Country Practice, All Saints, Home & Away (Seven Network).

Film credits: Chasing Comets, Balls, Boys From The Bush, Cavity, Inside Out, No Worries, The Premonition, and Razzle Dazzle.

A NIDA, Trinity College London, and Sydney University graduate, Deborah’s been nominated for several Sydney Theatre Awards and is a proud MEAA Member since 1990.

Sheridan Harbridge

Sheridan is an actor, playwright, singer and comedienne, graduating from NIDA in 2006. She penned the musical Songs for the Fallen, which won Best Musical and Outstanding Actress at the New York Music Theatre Festival in 2015, and has toured in Sydney and Brisbane Festival, Arts Centre Melbourne, and New Zealand major arts festivals. In 2016, she was a member of the Griffin Studio, which culminated in her developing and directing Nosferatutu, or Bleeding at the Ballet as part of the Griffin Independent Season.

She collaborated with UK cult band The Tiger Lillies on Cockatoo Island for the Biennale of Sydney, and appeared with John Cleese in the Just for Laughs Festival, Sydney Opera House. Her theatre credits include The Sugar House, Girl Asleep, The Dog/The Cat (Belvoir St Theatre), Queen Fatima (Sydney Festival), Prima Facie(Griffin Theatre Company), Frida Lyngstad in Muriel’s Wedding the Musical (Sydney Theatre Company) North by Northwest, The Beast,and The Speechmaker (Melbourne Theatre Company), Gaybies(Darlinghurst Theatre), Kill Climate Deniers, Jump for Jordan(Griffin Theatre Company), 80 Minutes No Interval (Old Fitz), Hip Bone Sticking Out, Blue Angel (Big hArt), Detective’s Handbook, You’re a Good Man Charlie Brown (Hayes Theatre) Fiddler on the Roof, Carmen and My Fair Lady (Opera Australia), An Officer & a Gentleman (GFO), I Love The Frog (Arts Centre Melbourne)

She played Valerie Solanas and Judy Garland in Jim Sharman’s online film Andy X. TV credits include Rake, All Saints and Wild Boys, Doctor Blake Murder Mysteries, and The Justine Clarke Show.

Amber McMahon

Amber trained at Flinders University Drama Centre, the Stella Adler Company and SITI Company in New York.

Best known for her work in theatre, Amber’s boasts an extensive list of credits. Selected credits include; Dance Nation, Bliss, Atlantis, Twelfth Night and Angels in America for Belvoir; Rules for Living, Banging Denmark, Accidental Death of an Anarchist and The Popular Mechanicals for Sydney Theatre Company; Girl Asleep and School Dance for Windmill; Small Mouth Sounds for Darlinghurst; North by Northwest for Kay & McLean Productions and Picnic at Hanging Rock for Malthouse, which included two seasons at Royal Lyceum Edinburgh and Barbican London.

Amber’s screen credits include the feature film Girl Asleep, and the SBS mini-series The Hunting.

She received two Helpmann Awards for Best Female in a Supporting Role one for Girl Asleep for Belvoir/Windmill and School Dance one for Windmill.

Mansoor Noor

Mansoor’s theatre credits include the following:  Belvoir (Downstairs) Beirut Adrenaline; Apocalypse Theatre/KXT Omar & Dawn; Red Line Productions Just Live!, Belleville, Safety Switch; National Theatre of Parramatta The Comedy of Errors; New Theatre Stupid F**king Bird; bAKEHOUSE/KXT Visiting Hours, The Laden Table; Cross Pollinate/KXT Everybody; Joan Sutherland Performing Arts Daisy Moon Was Born This Way; Freefall Productions White Rabbit Red Rabbit. His feature film credits include The Dog Days of Christmas, The Furnace, Project Eden, Embedded.  On the small screen he’s been seen in The Secrets She Keeps, Trip for Biscuits, Rake, Cleverman, Winter, Singapore 1942 End of Empire. Mansoor wrote, directed and appeared in the 2018 short film He’s ISIS. A graduate from the Actors’ Centre Australia, he also has a Bachelor of Film and Screen Media Production from Griffith Film School.

Toni Scanlan

Toni trained at the Drama Centre, London. Her theatre credits include for Belvoir Ruben Guthrie; for Sydney Theatre Company Blood Wedding, Our Town, Troupers, King Lear, Cuckoo’s Countryand Madras House; for Black Swan Theatre Hir and Angels in America – Part One; for Ensemble Theatre Richard 111, Let the Sun Shine, A View From the Bridge, I’m Not Rappaport, All My Sons, The Price; for Sport for Jove/Riverside Theatre Hamlet; Studio Company/Riverside Theatre King Lear; for Darlinghurst Theatre Good Works; Eternity Playhouse Grand Opening Show: All My Sons; for Queensland Theatre Company Once in Royal David’s City, The Family, Too Young for Ghosts; for Q Theatre Daylight Saving, Kid Stakes; for TN Theatre Co Private Lives, Boy’s Own Macbeth, Cloud 9, The Conquests of Carmen Miranda; for Griffin Theatre King Tide, Back Beat, White Nancy; for Playhouse Theatre Fields of Heaven; for Her Majesty’s, Perth Annie; for Hole in the Wall Theatre In His Own Right, Under Milkwood.

Toni’s film credits include The Forest, Vacant Possession, Loveless, Homebrew, Breakaway, Tenderhooks, Contact, High Tide. Toni’s TV credits include Hearts & Bones, The Hiding, Crownies, Answered by Fire, MDA, Backberner, Crash Palace, Water Rats (Series Regular 6 years), Bordertown, Blue Heelers, GP.

Toni has received the 2014 Sydney Theatre Award for Best Actress in a Leading Role in an Independent Production for All My Sons at the Eternity Playhouse and in 2008 received the Sydney Theatre Award for King Tide, by Kath Thomson at Griffin Theatre.

Toni’s Directing credits include, The Seagull, Cherry Orchard and Three Sisters for QUT; A Cheery Soul for Waapa; and Switzerlandfor Drill Hall.

Robert Cousins

Theatre design includes Cloudstreet, Who’s Afraid of Virginia Woolf, Strange Interlude,  Waiting for Godot , Babyteeth, Mother Courage, and Mortido for Belvoir;  Season at Sarsaparilla, War of the Roses, King Lear, The Resistible Rise of Arturo Ui  for Sydney Theatre Company;  Moving Target for Malthouse Theatre;  Medea , Husbands and Wives and Flight 49 for Toneelgroep/International Theater Amsterdam; Medea for Burgtheater, Vienna; Eine Griechische Trilogie for Berliner Ensemble and Peer Gynt for Schauspielhaus, Hamburg;  Medea for BAM, New york.

Opera includes Lear and  Médée for Salzburg Festspiele and Polish national Opera; La Traviata for Opera National Paris and Wiener Staatsoper and The Ring for Opera Australia.

Dance includes Weather, Conversation Piece and Motion Picture for Lucy Guerin Inc Dance Company; Complexity of Belonging for Chunky Move Dance Company;

Film designs include Candy, Romulus My Father, Balibo and Ruben Guthrie.

Mel Page

Deborah was last at Belvoir in Company B’s Greek Tragedy. Other theatre credits include: Wicked Sisters (Griffin), Lady Tabouli (National Theatre Of

Mel is a set and costume designer.

Costume designs for Belvoir St Theatre include: Japser Jones, Ivanov, Kill The Messenger, Seventeen, Nora, The Glass Menagerie, A Christmas Carol, Elektra/Orestes, The Government Inspector, Hamlet, Angels In America, & Strange Interlude. Set & Costume designs include: Taste Of Honey, Enemy Of The People, Back At The Dojo, Medea and Small & Tired.

Opera designs include costumes for Lear & Médée for Salzburg Festival; Die Tote Stadt for Bayerisch Staatsoper & Theater Basel and Pelleas Et Melisande for Den Norske Opera & Ballet.

Other theatre credits include costumes for Engel In Amerika for Theater Basel; Drei Schwestern for Theater Basel & L’Odeon; Cat On A Hot Tin Roof, Mary Stuart Les Liasions Dangereuses and Baal for Sydney Theatre Company; La Pompeii for Malthouse Theatre and Complexity Of Belonging for Chunky Move. Set and costume designs include: Lethal Indifference for Sydney Theatre Company; Night Maybe for Theatreworks; Minnie & Liraz and The Apocalypse Bear Trilogy for Melbourne Theatre Company.

Mel was the proud recipient of the 2016 George Fairfax Memorial Award, and has won a Sydney Theatre Award.

Paul Jackson

Stefan Gregory

Hamed Sadeghi

Born 1983 in Iran, Hamed Sadeghi is a multi-instrumentalist and composer based in Sydney, Australia. He studied Persian classical music in Tehran and master of sound engineering in Malaysia before he moves to Australia in 2013.

His recent highlights in theatre include scoring and performing in productions Sami in Paradise 2018 at Belvoir Sydney Theatre, The Iliad Out-Loud at Sydney Festival 2019 and Adelaide Festival 2020, Adam and Eve at Kuala Lumpur Performing Art Centre Malaysia 2013.

He has collaborated with the Iranian TV to record musical productions and ABC TV’s kids program along with performances for the Iranian Film Festival in Australia in 2019.

His collaborative score with Michael Askill for the Iliad Out-loud was nominated for the Best Original Score at the Sydney Theatre Awards 2019.

Sadeghi’s well known project, Eishan Ensemble which is described as “Shock of the new colliding with the ancient, SMH” has been touring regularly nationally and internationally to present his original compositions since 2016.

Sadeghi is the Australian delegate chosen by the Australian Music Centre at Jazz-ahead festival in Germany 2021.

Hannah Goodwin

Luke McGettigan

Luke is Belvoir’s Resident Stage Manager. For Belvoir, he has stagemanaged My Brilliant Career, A Room of One’s Own, Packer & Sons, Things I Know To Be True, Counting and Cracking, The Dance of Death, A Taste of Honey, Sami in Paradise, Barbara and the Camp Dogs, Ghosts, The
Rover, Mark Colvin’s Kidney, Faith Healer, Twelfth Night or What You Will, The Great Fire, Mortido, Seventeen, Elektra/Orestes, Radiance, The Glass Menagerie, Brothers Wreck, Once in Royal David’s City, Miss Julie, Forget Me Not, Peter Pan (including New York tour), Private Lives, Death of a Salesman, Babyteeth, Summer of the Seventeenth Doll, Neighbourhood Watch, The Wild Duck (including UK and Europe tours), Namatjira (Belvoir/Big hART), Page 8, The End, That Face, The Promise, Scorched, Antigone, Keating!, The Little Cherry Orchard and The Caucasian Chalk Circle. His other credits include The Pig Iron People, The Give and Take, Bed, La Dispute (Sydney Theatre Company); Like a Fishbone (STC / Griffin); The Government Inspector, The Tempest, The Servant of Two Masters, The Comedy of Errors, The Taming of the Shrew (Bell Shakespeare); Paradise City, Through the Wire (Performing Lines); and Alive at Williamstown Pier (Griffin).

Cecilia Nelson

Nigel Poulton

Jack Saltmiras

Susie Henderson