SNAKEFACE
- 8-27 Apr 25 Downstairs Theatre
By Aliyah Knight
Directed by Bernadette Fam
SNAKEFACE contains mature themes, including explicit descriptions of physical and sexual violence, child sexual assault, racism, homophobia, transphobia, body horror, misogyny, eating disorders and suicide.
This production uses strobe lighting.
Click here for SNAKEFACE access notes.

“I’m scrapin’ Andrew’s floor with Gumption, list’nin” to a podcast ‘bout diet culture, when I realise I might technic’lly be a serial killer.”
At age 23 Snakeface is cursed by her ex to live her life as a monster. Reclaiming the violence forced upon her, she rampages through the queer clubs and art studios of Sydney. She has a lifetime of silenced words and stolen power to unleash.
Inspired by the myth of Medusa, SNAKEFACE explores the tight loop of creation and destruction. Rejected and tested, Snakeface claws at her relationship with sex, sculpture, romance, and rage in a body that has never been afforded safety.
Awarded Runner Up in the Australian Theatre Festival NYC 2024 New Play Award, SNAKEFACE interrogates the beauty and brutality of moving through white Australia in a queer Black body.
Join us for a free post-show panel following the 5:15pm performance of SNAKEFACE with Community Engagement Lead Kelly Lovemonster (All Day Queer Dance), SNAKEFACE writer and performer Aliyah Knight, director, actor and musician Zindzi Okenyo (Play School, Critical Incident, Zindzi & the Zillionaires, Is God Is) and multidisciplinary artist Nancy Denis (Sami in Paradise, Cleverman, The Great Gatsby, Ma’p Boulé).
This artist panel will dive into the way identity and lived experience are explored and reflected in art made by those whose bodies become the site of their work. Through SNAKEFACE’s lens as a play made for Black people, Queer people and sexual assault survivors, we aim to open up a dialogue about how intersectional bodies are presented on stage.
Special thanks to Flow Studios and Randwick City Council.
Image by Teniola Komolafe.
WHAT IS 25A? 25A is a Belvoir initiative to support the artists of the future. It has been made by independent and emerging artists. They have produced and marketed it themselves. They get 100% of the box office and the theatre for free. Their task is to make a show for less than $2500. Thanks for supporting the artists of the future.
Tickets to 25A productions are $25 or $35 and Previews are $20 or $30. 100% of the ticket sales goes to the independent artists that made this show, and they split the profits evenly between each other. Tickets are available online and at the door.
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Keerthi (she/her) is a set and costume designer, living and working on the lands of the Gadigal and Gamaragal people of the Eora Nation. Keerthi is a National Institute of Dramatic Art, BFA (Design for Performance, 2019) graduate, and a member of the Australian Production design Guild. Keerthi’s work as a set and costume designer […]

Keerthi (she/her) is a set and costume designer, living and working on the lands of the Gadigal and Gamaragal people of the Eora Nation. Keerthi is a National Institute of Dramatic Art, BFA (Design for Performance, 2019) graduate, and a member of the Australian Production design Guild.
Keerthi’s work as a set and costume designer includes Belvoir and MTC’s The Wrong Gods, Belvoir’s Nayika A Dancing Girl and Lose to Win, Darlinghurst Theatre Company’s Seven Methods of Killing Kylie Jenner, Murder for Two at Hayes Theatre, Chewing Gum Dreams at the Old Fitz, Chop Chef at Riverside Theatres, and her work as a costume designer includes Belvoir’s At What Cost and Never Closer.
Keerthi has been an associate designer on a wide range of theatre shows including Belvoir’s The Jungle and the Sea, Wayside Bride, Light Shining in Buckinghamshire, Boomkak Panto, Cursed!, Sydney Theatre Company’s Grand Horizons, and Hayes Theatre Co’s Young Frankenstein.
Keerthi’s film credits include working as a design assistant on Operation Buffalo, as production & costume designer on various short films and music videos and as an art director on SBS’s mini series Appetite.

Marco Cher-Gibard (b. Auckland, 1983), is an artist working with sound exploring contemporary culture, expression and experience. They are a tireless collaborator and contributor to performance work. Select performance projects include Super Discount & Lady Eats Apple with Back to Back Theatre. K-BOX, Monsters & I am a Miracle for Malthouse Theatre. Laurinda for Melbourne Theatre Company, Narasima& Mohini with Raina Peterson, Siren Dance & Memoir for the River and the […]

Marco Cher-Gibard (b. Auckland, 1983), is an artist working with sound exploring contemporary culture, expression and experience. They are a tireless collaborator and contributor to performance work.
Select performance projects include Super Discount & Lady Eats Apple with Back to Back Theatre. K-BOX, Monsters & I am a Miracle for Malthouse Theatre. Laurinda for Melbourne Theatre Company, Narasima& Mohini with Raina Peterson, Siren Dance & Memoir for the River and the Dictator with Lilian Steiner, We All Know What’s Happening with Samara Hersch and Lara Thoms. New Breed for Sydney Dance Company.
Recent awards include the Golden Lion Award for Lifetime Achievement in Theatre and the International Ibsen Award with Back to Back Theatre, Greenroom awards for sound design, site innovation and multiple Melbourne Fringe awards.


Laura Farrell (she/her) is a Voice and Dialect Coach living and working on Gadigal land. She holds a Master of Fine Arts in Voice from NIDA, a Postgraduate Diploma in Voice from the Victorian College of the Arts, and a Bachelor of Music Theatre from the Victorian College of the Arts. Laura is an Associate […]

Laura Farrell (she/her) is a Voice and Dialect Coach living and working on Gadigal land. She holds a Master of Fine Arts in Voice from NIDA, a Postgraduate Diploma in Voice from the Victorian College of the Arts, and a Bachelor of Music Theatre from the Victorian College of the Arts. Laura is an Associate Lecturer at NIDA and a certified teacher of Knight Thompson Speechwork and Vocal Combat Technique.
Recent coaching credits for Belvoir include Jungle and the Sea, directed by Eamon Flack (2026); The Wrong Gods, directed by Hannah Goodwin (2025); Grief Is the Thing with Feathers, directed by Simon Phillips (2025); Big Girls Don’t Cry, directed by Ian Michael (2025); Song of First Desire, directed by Neil Armfield (2025); August: Osage County, directed by Eamon Flack (2024); Counting and Cracking, directed by Eamon Flack (2024); Never Closer, directed by Hannah Goodwin (2024); Lose to Win, directed by Jessica Arthur (2024); Holding the Man, directed by Eamon Flack (2024); and The Master & Margarita, directed by Eamon Flack (2024).