Furious
Mattress
- 11-29 Mar 25 Downstairs Theatre
- approx. 2 hours (incl. 20 min interval)
By Melissa Reeves
Directed by Margaret Thanos
Furious Mattress contains moments of nudity, intimate partner violence, coarse language, and themes of horror.
Furious Mattress also includes loud noises, e-cigarettes, total black-outs, strobe lighting and theatrical haze.
“I was a plumber for four years, and I like to think that’s not the worst apprenticeship for an exorcist”
A backyard exorcism in rural Victoria gone wrong.
Pierce is convinced his wife is possessed by the devil. He enlists the help of his neighbour Anna and former plumber Max to expel the demons from his darling Else. You see, Else has always been a little left of centre. Pierce would say even a little difficult. But when proceedings go fatally wrong, they passionately wait for her miraculous resurrection.
Based on a tragic true story from mid-nineties country Victoria, Furious Mattress asks – under the guise of “doing right”, what level of evil is the human spirit capable of?
Shortlisted for three Premier’s literary awards and nominated for an AWGIE in the same year, Melissa Reeves’ hilariously surreal four-hander finally makes its Sydney premiere.
Furious Mattress is The Exorcist meets Promising Young Woman so grab some holy water and your nearest voodoo doll for this year’s most entertaining exorcism.
Image by Robert Catto.
WHAT IS 25A? 25A is a Belvoir initiative to support the artists of the future. It has been made by independent and emerging artists. They have produced and marketed it themselves. They get 100% of the box office and the theatre for free. Their task is to make a show for less than $2500. Thanks for supporting the artists of the future.
Tickets to 25A productions are $25 or $35 and Previews are $20 or $30. 100% of the ticket sales goes to the independent artists that made this show, and they split the profits evenly between each other. Tickets are available online and at the door.
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Margaret Thanos is an award-winning Cypriot-Australian director for the stage and screen, and a resident artist at BELVOIR ST. Margaret’s directing credits include the 5-star sell-out seasons of FURIOUS MATTRESS (25A), POSH (Old Fitz), I HATE PEOPLE; OR TIMON OF ATHENS (Sport for Jove), NOT NOW, NOT EVER: A PARLIAMENT OF WOMEN (25A), A VERY EXPENSIVE POISON(New Theatre), […]

Margaret Thanos is an award-winning Cypriot-Australian director for the stage and screen, and a resident artist at BELVOIR ST. Margaret’s directing credits include the 5-star sell-out seasons of FURIOUS MATTRESS (25A), POSH (Old Fitz), I HATE PEOPLE; OR TIMON OF ATHENS (Sport for Jove), NOT NOW, NOT EVER: A PARLIAMENT OF WOMEN (25A), A VERY EXPENSIVE POISON(New Theatre), LABYRINTH(Dream Plane Productions) and A GRAIN OF SAND (KXT).
She also has assistant directing credits on GRIEF IS THE THING WITH FEATHERS, AUGUST: OSAGE COUNTY, THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME and WELL BEHAVED WOMEN (Belvoir), BENEFACTORS, MR BAILEY’S MINDER(Ensemble), THIS GENUINE MOMENT(Old 505), ANIMAL FARM(New Theatre), ORIGINATE PROJECT(Q Theatre), THE LINDEN SOLUTION(Ratcatch) and THE CHERRY ORCHARD(Chippen St). In 2023, she was awarded the prestigious SANDRA BATES DIRECTOR’S AWARD at Ensemble Theatre.
Margaret is also an activist, with a particular focus on gender equality and climate awareness. She is one of PLAN INTERNATIONAL‘s Advocates and has done extensive interviews and public appearances.
Coming up later this year, Margaret is directing The River at Sydney Theatre Company starring Miranda Otto.

Alex’s theatre credits include Before the Meeting (Seymour Centre); The Caucasian Chalk Circle and The Lighthouse Girl (Black Swan State Theatre Company); Eurydice, Babes in The Woods and Threnody (The Old Fitz); Spring Awakening – The Musical (ATYP); A Little Piece of Ash, DNA and Youth and Destination (KXT) and Spectrum Now’s Orfeo Ed Euridice, directed by Shannon Murphy.Alex is about to appear in Kitty Green‘s feature film The Royal Hotel for See Saw films. […]

Alex’s theatre credits include Before the Meeting (Seymour Centre); The Caucasian Chalk Circle and The Lighthouse Girl (Black Swan State Theatre Company); Eurydice, Babes in The Woods and Threnody (The Old Fitz); Spring Awakening – The Musical (ATYP); A Little Piece of Ash, DNA and Youth and Destination (KXT) and Spectrum Now’s Orfeo Ed Euridice, directed by Shannon Murphy.
Alex is about to appear in Kitty Green‘s feature film The Royal Hotel for See Saw films. Her other film credits include Mercy Road, Transfusion, and Pulse and her television credits include the series Wanted, Colin from Accounts, Home & Away, RFDS, The Heights, Les Norton and A Place to Call Home.

Matilda is an award-winning actor, director, theatre maker and arts educator. She is a proud memberof MEAA. Matilda’s credits at Belvoir include Master and Margarita (2023), Rep Season (2022), Artists atWork (2020), and Jasper Jones (2016). Her other theatre credits include Notre Dame (BrandenburgOrchestra); Just Romeo and Juliet!, Just Macbeth!, Hamlet, Henry IV, and The […]

Matilda is an award-winning actor, director, theatre maker and arts educator. She is a proud member
of MEAA.
Matilda’s credits at Belvoir include Master and Margarita (2023), Rep Season (2022), Artists at
Work (2020), and Jasper Jones (2016). Her other theatre credits include Notre Dame (Brandenburg
Orchestra); Just Romeo and Juliet!, Just Macbeth!, Hamlet, Henry IV, and The Players (Bell
Shakespeare); The Norman Conquests Trilogy, Proof, Seminar, My Wonderful Day, Rain Man,
Brooklyn Boy, Ruby Sunrise (Ensemble Theatre); Platonov, and Sweet Nothings (ATYP); The
Merchant of Venice, A Doll’s House, The Crucible, A Midsummer Nights Dream and Much Ado
About Nothing (Sport for Jove) The Bitter Tears of Petra Von Kant, Kayak, Cock and Sprout (Old
Fitzroy Theatre).
Her film credits include the TV series Hiding (ABC), Bump (Stan) and the films June Again, Book
Week, Disclosure, Tomorrow, and Tomorrow, and Tomorrow, The Guests and Memorabilia.
The Guests was nominated for the Palme D’Or at the Cannes Film festival. Disclosure was
nominated for the ‘Best Indie Film’ at the 2021 AACTA Awards. Matilda won ‘Best Performance in
an Australian Short Film’ at the Flickerfest International Short Film Festival for her role in
Tomorrow, and Tomorrow, and Tomorrow. She has been nominated for three Sydney Theatre
Awards and won for her performance of Nora in A Dolls House.

Angelina Daniel (She/her) is a Sydney-based emerging Set and Costume Designer for live performance. A Mirror is her mainstage debut! Angelina’s other recent design credits include Furious Mattress downstairs at 25A (Set Design), Miss Julie at FortyFiveDownstairs (Production Design) and Abigail Williams at Wharf 2 STC (Set and Costume Design). Angelina also worked with Elizabeth Gadsby on Sydney Theatre Company’s Picnic at […]

Angelina Daniel (She/her) is a Sydney-based emerging Set and Costume Designer for live performance. A Mirror is her mainstage debut!
Angelina’s other recent design credits include Furious Mattress downstairs at 25A (Set Design), Miss Julie at FortyFiveDownstairs (Production Design) and Abigail Williams at Wharf 2 STC (Set and Costume Design). Angelina also worked with Elizabeth Gadsby on Sydney Theatre Company’s Picnic at Hanging Rock and with Pip Runchiman on Sydney Festival’s Siegfried and Roy.
Angelina graduated with a BFA from the National Institute of Dramatic Arts (2024) and was awarded the APDG Most Outstanding Award for the Design for Performance Course. Angelina is proud of her position on the National Executive of the APDG (Australian Production Design Guild) as an Emerging Designer Representative.

Daniel Herten (they/them) is a Sound Designer, Composer, Video Designer and Creative Technologist working across live performance and interactive media. Belvoir credits include: A Mirror; for Belvoir 25A, Furious Mattress composer. Daniel’s other credits include: for Sydney Theatre Company, The Picture of Dorian Gray Australian sound associate (with Michael Cassel Group), Circle Mirror Transformation associate sound […]

Daniel Herten (they/them) is a Sound Designer, Composer, Video Designer and Creative Technologist working across live performance and interactive media. Belvoir credits include: A Mirror; for Belvoir 25A, Furious Mattress composer. Daniel’s other credits include: for Sydney Theatre Company, The Picture of Dorian Gray Australian sound associate (with Michael Cassel Group), Circle Mirror Transformation associate sound designer; for Griffin Theatre Co, The Lewis Trilogy, Sistren, Whitefella Yella Tree associate composer and sound designer; for Hayes Theatre Co, Murder For Two: Christmas Edition sound designer, Ride The Cyclone video and sound designer, Flat Earthers: The Musical sound designer and associate video designer and animator; for Ensemble Theatre, Fly Girl; for One Eyed Man Productions, Calamity Jane sound designer (with Hayes Theatre Co); for Essential Workers, Collapsible composer and sound designer and co-video designer; for Clockfire Theatre Co, Plenty of Fish in the Sea, for RISING Festival, Set Piece sound designer; for Tinderbox Productions, Black Box the Musical sound designer. Daniel won a 2025 Sydney Theatre Award for Best Sound Design and Composition of a Mainstage Production for Grief is the Thing with Feathers (with Freya Schack-Arnott) and was nominated in the same category for The Lewis Trilogy in 2024. Daniel was the Australian sound associate for The Picture of Dorian Gray on Broadway (Michael Cassell Group) where the production received a total of six Tony Award® nominations, including Best Sound Design of a Play.

Elle Evangelista loves dancing. Her BELVOIR choreography credits include Curious Incident of the Dog in the Night-Time, Holding the Man, The Master and Margarita, The Cherry Orchard, The Boomkak Panto, The Rep Season and Furious Mattress (25a). Her other theatre choreography credits include Mackenzie, Twelfth Night (Bell Shakespeare), A Very Expensive Poison (NIDA) and Where […]

Elle Evangelista loves dancing. Her BELVOIR choreography credits include Curious Incident of the Dog in the Night-Time, Holding the Man, The Master and Margarita, The Cherry Orchard, The Boomkak Panto, The Rep Season and Furious Mattress (25a). Her other theatre choreography credits include Mackenzie, Twelfth Night (Bell Shakespeare), A Very Expensive Poison (NIDA) and Where to Catch A Star and How To Catch A Star (Australian Chamber Orchestra).
As a dancer she has worked for Force Majeure, KAGE Physical Theatre, Opera Australia and she has been awarded residencies to create new work by Ausdance NSW, DirtyFeet, Critical Path, March Dance, Brand X and Supercell Festival of Contemporary Dance. From 2019 – 2021, Elle was an Artist Representative on the Board of Critical Path and in 2022 a Belvoir Artistic Associate.
Elle has a Bachelor of Arts in English from UWA and a Bachelor of Arts in Dance from WAAPA. She was raised on Boorloo/Perth by her Filipino and Burmese family and currently lives on Garigal Land in Sydney with her partner and their young son.

Nigel is an award-winning fight, movement, and intimacy director, SAG-AFTRA stunt performer and actor with over 17 years of national and international experience. He is a Fight Master with the Society of American Fight Directors. Belvoir credits include: THE SPARE ROOM, THE WRONG GODS, BIG GIRLS DON’T CRY, AUGUST: OSAGE COUNTY, THE CURIOUS INCIDENT OF […]

Nigel is an award-winning fight, movement, and intimacy director, SAG-AFTRA stunt performer and actor with over 17 years of national and international experience. He is a Fight Master with the Society of American Fight Directors.
Belvoir credits include: THE SPARE ROOM, THE WRONG GODS, BIG GIRLS DON’T CRY, AUGUST: OSAGE COUNTY, THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, NEVER CLOSER, HOLDING THE MAN, COUNTING AND CRACKING, THE REP SEASON, THE MASTER AND MARGARITA, INTO THE WOODS, THE JUNGLE AND THE SEA, LIGHT SHINING IN BUCKINGHAMSHIRE, WAYSIDE BRIDE, AT WHAT COST, CHERRY ORCHARD, MISS PEONY, MY BRILLIANT CAREER, CURSED!, PACKER AND SONS, THINGS I KNOW TO BE TRUE, COUNTING AND CRACKING, DANCE OF DEATH, SAMI IN PARADISE, THE SUGAR HOUSE, A TASTE OF HONEY, AN ENEMY OF THE PEOPLE, PRIZEFIGHTER.
Other credits include: for Sydney Theatre Company, OIL, THE VISITORS, CONSTELLATIONS, ON THE BEACH, DO NOT GO GENTLE, FENCES, HUBRIS AND HUMILIATION, A RAISIN IN THE SUN, STRANGE CASE OF DR JEKYLL AND MR HYDE, TOP COAT, THE TENANT OF WILDFELL HALL, GRAND HORIZONS, APPROPRIATE, PLAYING BEATIE BOW, RULES FOR LIVING, THE DEEP BLUE SEA, LORD OF THE FLIES, THE BEAUTY QUEEN OF LEENANE, CAT ON A HOT TIN ROOF, HOW TO RULE THE WORLD, MARY STUART, DINNER, THE HARP IN THE SOUTH PART ONE AND PART TWO, THE LONG FORGOTTEN DREAM, BLACKIE BLACKIE BROWN (WITH MALTHOUSE), ACCIDENTAL DEATH OF AN ANARCHIST, THE RESISTIBLE RISE OF ARTURO UI, SAINT JOAN, SPEED THE PLOW, THREE SISTERS, DINNER, MURIEL’S WEDDING THE MUSICAL, BLACK IS THE NEW WHITE, A CHEERY SOUL, THE GOLDEN AGE, THE PRESENT, SWITZERLAND, MACBETH, NOISES OFF, CYRANO DE BERGERAC, THE REMOVALISTS, ROMEO & JULIET, ROMEO & JULIET (EDUCATION); for Melbourne Theatre Company, THE REMOVALISTS, A STREETCAR NAMED DESIRE, BERNHARDT/HAMLET, SHAKESPEARE IN LOVE, TWELFTH NIGHT, NOISES OFF, THREE LITTLE WORDS, JASPER JONES, QUEEN LEAR, HAMLET, REALISM, DON JUAN IN SOHO, MACBETH, THE GLASS SOLDIER, CYRANO DE BERGERAC; for Queensland Theatre, GASLIGHT, FIRST CASUALTY, BOY SWALLOWS UNIVERSE, TRIPLE X (WITH SYDNEY THEATRE COMPANY), CITY OF GOLD (WITH GRIFFIN THEATRE COMPANY), SCENES FROM A MARRIAGE, HYDRA, BLACK IS THE NEW WHITE, NOISES OFF! (WITH MELBOURNE THEATRE COMPANY), JASPER JONES, MUCH ADO ABOUT NOTHING, SWITZERLAND, MACBETH, FRACTIONS; for Bell Shakespeare, CORIOLANUS, IN A NUTSHELL: THE POETRY OF VIOLENCE, IN THE ROUND, KING LEAR, ROMEO AND JULIET (X4), HAMLET (X4), A MIDSUMMER NIGHT’S DREAM (X3), TWELFTH NIGHT, (X2), THE LOVERS, MUCH ADO ABOUT NOTHING, THE MISER, ANTONY AND CLEOPATRA, RICHARD III, OTHELLO, THE DREAM, MACBETH, JULIUS CAESAR; AS YOU LIKE IT (X2), SERVANT OF TWO MASTERS; La Boite: ARTISTS COMPANY (2021-22), CLOSER, TIDDAS, IRL, CAPRICORN, MISS PEONY, THE POISON OF POLYGAMY, AN IDEAL HUSBAND, THE LAST FIVE YEARS, JULIUS CAESAR, ROMEO AND JULIET, BLACKROCK, PRIZEFIGHTER, RICHARD III, COSI, A HOAX, JULIUS CEASAR, HAMLET.

Diego is a Chilean-Australian actor and fight choreographer based in Sydney/Gadigal with a B. Performance from Theatre Nepean’s final graduating year in 2008. Recent fight choreography credits include: A Mirror (Belvoir), Grief is the Thing with Feathers (Belvoir), Purpose (STC), Timon of Athens (Sport for Jove), Taming of the Shrew (Playwrought Project), Port (December Theatre Co/KXT), […]

Diego is a Chilean-Australian actor and fight choreographer based in Sydney/Gadigal with a B. Performance from Theatre Nepean’s final graduating year in 2008. Recent fight choreography credits include: A Mirror (Belvoir), Grief is the Thing with Feathers (Belvoir), Purpose (STC), Timon of Athens (Sport for Jove), Taming of the Shrew (Playwrought Project), Port (December Theatre Co/KXT), POSH (Old Fitz/Queen Hades), Furious Mattress (Belvoir 25A), Werkaholics (Belvoir 25A), Pride and Prejudice (Old Fitz), SHOOK (Lost Thought/Qtopia), A Very Expensive Poison (New Theatre), The Wasp (Akimbo + Co), Apocka-wocka-localypse (Tooth and Sinew), One Man Two Guv’nors (New Theatre), Labyrinth (Flight Path) and U.B.U (Tooth and Sinew/KXT).
Diego has also spent the last 16 years in professional wrestling as a wrestler, trainer and most recently Ring Announcer for Pro Wrestling Australia (PWA)

Harry Milas is Australia’s leading sleight of hand specialist, based in Sydney. He has designed impossible stage illusions with theatre companies around Australia and he has been featured in the Guardian, Telegraph and enjoyed many TV appearances. He currently performs his award winning close up a show in a residency at the South-East pylon of the […]

Harry Milas is Australia’s leading sleight of hand specialist, based in Sydney. He has designed impossible stage illusions with theatre companies around Australia and he has been featured in the Guardian, Telegraph and enjoyed many TV appearances. He currently performs his award winning close up a show in a residency at the South-East pylon of the Sydney Harbour Bridge.

Laura Farrell (she/her) is a Voice and Dialect Coach living and working on Gadigal land. She holds a Master of Fine Arts in Voice from NIDA, a Postgraduate Diploma in Voice from the Victorian College of the Arts, and a Bachelor of Music Theatre from the Victorian College of the Arts. Laura is an Associate […]

Laura Farrell (she/her) is a Voice and Dialect Coach living and working on Gadigal land. She holds a Master of Fine Arts in Voice from NIDA, a Postgraduate Diploma in Voice from the Victorian College of the Arts, and a Bachelor of Music Theatre from the Victorian College of the Arts. Laura is an Associate Lecturer at NIDA and a certified teacher of Knight Thompson Speechwork and Vocal Combat Technique.
Recent coaching credits for Belvoir include Jungle and the Sea, directed by Eamon Flack (2026); The Wrong Gods, directed by Hannah Goodwin (2025); Grief Is the Thing with Feathers, directed by Simon Phillips (2025); Big Girls Don’t Cry, directed by Ian Michael (2025); Song of First Desire, directed by Neil Armfield (2025); August: Osage County, directed by Eamon Flack (2024); Counting and Cracking, directed by Eamon Flack (2024); Never Closer, directed by Hannah Goodwin (2024); Lose to Win, directed by Jessica Arthur (2024); Holding the Man, directed by Eamon Flack (2024); and The Master & Margarita, directed by Eamon Flack (2024).