牡丹小姐
Miss Peony

Michelle Law 羅敏儀

Courtney Stewart

Courtney Stewart is a Director, Dramaturg, Actor and Teaching Artist. She has worked on a number of productions and developments of new Australian work such as Eat Me for NIDA and STC, Playing Beatie Bow and Hamlet – Prince of Skidmark, Australian Graffiti for STC, Neon Tiger by Julia-Rose Lewis and Single Asian Female by Michelle Law for La Boite and Belvoir St Theatre, A Ghost in My Suitcase by Vanessa Bates, Siti Rubiyah by Katrina Irawati Graham, Barbaric Truth by Jordan Shea, Orange Thrower by Kirsty Marillier and White Pearl by Anchuli Felicia King. Courtney is the current Richard Wherrett Fellow at STC.

Courtney was the Assistant Performance Director for the City of Sydney 2016 Chinese New Year Lunar Lantern Festival. She was also a participant in the Directors Initiative in partnership with Contemporary Asian Australian Performance and STC.

As a dedicated Teaching Artist, Courtney has worked with Sydney Theatre Company, NIDA, ATYP and the Museum of Applied Arts and Sciences, specializing in producing and facilitating creative, EdTech and special access workshops in the areas of drama, film-making & editing, music, coding, Virtual and Augmented reality, robots for space exploration and physical computing.

Courtney was previously Chair of the Equity Diversity Committee and a delegate to the National Performer’s Committee. She is also a board member for Contemporary Asian Australian Performance.

Gabrielle Chan 陳金燕

Kaeng Chan 曾慶威

Jing-Xuan Chan 陳敬璿

Mabel Li 李美宝

Christy Tran

Charles Wu 吳震华

Shirong Wu 吴士容

Jonathan Hindmarsh

Jonathan Hindmarsh is an award winning Australian production designer. He graduated from NIDA’s Bachelor of Dramatic Arts in 2015 and is the recipient of the 2018 Green Room Award for Design and the 2018 Sydney Theatre Award for Best Costume Design.

Jonathan’s recent design work includes Lady Tabouli, programmed for Sydney Festival 2020 with the National Theatre of Parramatta, A View from the Bridge (Ensemble 2019), Pomona (Red Stitch 2019), Trevor (KXT 2019), The Astral Plane (Belvoir 25A 2019), Grounded (National Theatre of Parramatta 2019), costumes for West Australian Ballet’s Reincarnation choreographed by Garry Stewart (2019), set for Brisbane Festival’s I’ve Been Meaning to Ask You (The Good Room 2018), set and costumes for the Australian premiere of The Humans at The Old Fitz (2018), The Girl/The Woman (National Theatre of Parramatta 2018), the Green Room Award winning Apokalypsis (Next Wave Festival 2018), Kill Climate Deniers (Griffin 2018) and Metamorphoses (Apocalypse Theatre 2018). For the Old Fitz Theatre in 2017 Jonathan designed Doubt: A Parable, Crimes of the Heart and The Judas Kiss. His work also includes designs for Look Back in Anger (2016), Low Level Panic (2016), Sport For Jove’s Away (2016) and Belleville (2016).

In 2020 Jonathan was a Production Design Assistant on Marvel Studio’s Shang Chi & the Legend of the Ten Rings, and most recently was a Costume Assistant on the Netflix series Pieces of Her.

Trent Suidgeest

Trent Suidgeest’s lighting design highlights include: Muriel’s Wedding The Musical (Global Creatures/Sydney Theatre Company); The Rabbits, The Eighth Wonder, Carmen (Opera Australia); Appropriate, Accidental Death Of An Anarchist, Hay Fever, Talk (Sydney Theatre Company); RENT (Sugary Rum/LPD/Opera House); Betty Blokk-Buster Reimagined (Redline Productions); Young Frankenstein, Calamity Jane [National Tour], Gypsy, The View Upstairs (Hayes Theatre); First Love Is The Revolution, Prima Facie, Kill Climate Deniers, The Homosexuals Or ‘Faggots’ (Griffin); I Am Eora (Sydney Festival); Black Cockatoo, Folk (Ensemble Theatre); The Sapphires (Belvoir / BSSTC); Dusty, The Boy From Oz, Jesus Christ Superstar (The Production Company)

Trent assisted Jan Versweyveld and Ivo van Hove on their Shakespearian epic Kings Of War (Toneelgroep Amsterdam / Wiener Festwochen)

Website: www.trentsuidgeest.com

Dr Nicholas Ng 黄建文

Julian Starr

Julian is an Award-Winning Sound Designer and Composer for theatre, events and media. Julian works in London, Europe and Australia.

His theatre credits include: Zog (West End/UK Tour); Cry Havoc, Martha, Josie and the Chinese Elvis (Park Theatre); You Only Live Forever (Soho Theatre/ Edinburgh Festival); Othello (The Union Theatre); The Comedy of Errors, Pericles (Czech Republic: 18^th Century Castle Valtice); Sleepwalking (Hampstead Theatre); White Noise, Killing It (Vaults Festival); Scrounger (Off-West End Nomination for Best Sound Design), The Wind of Heaven (Finborough Theatre); Axolotl (London and Lithuania Tour); Hyperdream (Old Fitz Theatre); Elektra/Orestes (Metro Arts Theatre, Brisbane).

Sound Design Associate/ Production Engineer: An Inspectors Call (UK/Ireland Tour); Songs For Nobodies (West End); The Tap Pack (West End); The Royal Edinburgh Military Tattoo (The Edinburgh Castle).

Media: Late Night Staring At High Res Pixels (Digital Theatre Finborough Theatre); The Fizzy Sherbet Podcast Series, White Tuesday (Sarah Award NYC For Best Audio Fiction). 

Julian is the Sound Design Associate to the Finborough Theatre (London) and a proud member of the Association of Sound Designers.

Kristina Chan 陈小宝

Nicole Pingon 许天奕

Dr Jing Han 韩静博士

Sylvia Xu 徐颖

Nigel Poulton

Nigel is an award-winning fight, movement, and intimacy director, SAG-AFTRA stunt performer and actor with over 17 years of national and international experience. He is a Fight Master with the Society of American Fight Directors.

Belvoir credits include: THE SPARE ROOM, THE WRONG GODS, BIG GIRLS DON’T CRY, AUGUST: OSAGE COUNTY,  THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, NEVER CLOSER, HOLDING THE MAN, COUNTING AND CRACKING, THE REP SEASON, THE MASTER AND MARGARITA, INTO THE WOODS, THE JUNGLE AND THE SEA, LIGHT SHINING IN BUCKINGHAMSHIRE, WAYSIDE BRIDE, AT WHAT COST, CHERRY ORCHARD, MISS PEONY, MY BRILLIANT CAREER, CURSED!, PACKER AND SONS, THINGS I KNOW TO BE TRUE, COUNTING AND CRACKING, DANCE OF DEATH, SAMI IN PARADISE, THE SUGAR HOUSE, A TASTE OF HONEY, AN ENEMY OF THE PEOPLE, PRIZEFIGHTER.

Other credits include: for Sydney Theatre Company, OIL, THE VISITORS, CONSTELLATIONS, ON THE BEACH, DO NOT GO GENTLE, FENCES, HUBRIS AND HUMILIATION, A RAISIN IN THE SUN, STRANGE CASE OF DR JEKYLL AND MR HYDE, TOP COAT, THE TENANT OF WILDFELL HALL, GRAND HORIZONS, APPROPRIATE, PLAYING BEATIE BOW, RULES FOR LIVING, THE DEEP BLUE SEA, LORD OF THE FLIES, THE BEAUTY QUEEN OF LEENANE, CAT ON A HOT TIN ROOF, HOW TO RULE THE WORLD, MARY STUART, DINNER, THE HARP IN THE SOUTH PART ONE AND PART TWO, THE LONG FORGOTTEN DREAM, BLACKIE BLACKIE BROWN (WITH MALTHOUSE), ACCIDENTAL DEATH OF AN ANARCHIST, THE RESISTIBLE RISE OF ARTURO UI, SAINT JOAN, SPEED THE PLOW, THREE SISTERS, DINNER, MURIEL’S WEDDING THE MUSICAL, BLACK IS THE NEW WHITE, A CHEERY SOUL, THE GOLDEN AGE, THE PRESENT, SWITZERLAND, MACBETH, NOISES OFF, CYRANO DE BERGERAC, THE REMOVALISTS, ROMEO & JULIET, ROMEO & JULIET (EDUCATION); for Melbourne Theatre Company, THE REMOVALISTS, A STREETCAR NAMED DESIRE, BERNHARDT/HAMLET, SHAKESPEARE IN LOVE, TWELFTH NIGHT, NOISES OFF, THREE LITTLE WORDS, JASPER JONES, QUEEN LEAR, HAMLET, REALISM, DON JUAN IN SOHO, MACBETH, THE GLASS SOLDIER, CYRANO DE BERGERAC; for Queensland Theatre, GASLIGHT, FIRST CASUALTY, BOY SWALLOWS UNIVERSE, TRIPLE X (WITH SYDNEY THEATRE COMPANY), CITY OF GOLD (WITH GRIFFIN THEATRE COMPANY), SCENES FROM A MARRIAGE, HYDRA, BLACK IS THE NEW WHITE, NOISES OFF! (WITH MELBOURNE THEATRE COMPANY), JASPER JONES, MUCH ADO ABOUT NOTHING, SWITZERLAND, MACBETH, FRACTIONS; for Bell Shakespeare, CORIOLANUS, IN A NUTSHELL: THE POETRY OF VIOLENCE, IN THE ROUND, KING LEAR, ROMEO AND JULIET (X4), HAMLET (X4), A MIDSUMMER NIGHT’S DREAM (X3), TWELFTH NIGHT, (X2), THE LOVERS, MUCH ADO ABOUT NOTHING, THE MISER, ANTONY AND CLEOPATRA, RICHARD III, OTHELLO, THE DREAM, MACBETH, JULIUS CAESAR; AS YOU LIKE IT (X2), SERVANT OF TWO MASTERS; La Boite: ARTISTS COMPANY (2021-22), CLOSER, TIDDAS, IRL, CAPRICORN, MISS PEONY, THE POISON OF POLYGAMY, AN IDEAL HUSBAND, THE LAST FIVE YEARS, JULIUS CAESAR, ROMEO AND JULIET, BLACKROCK, PRIZEFIGHTER, RICHARD III, COSI, A HOAX, JULIUS CEASAR, HAMLET.

Chloë Dallimore

Chloë Dallimore is an internationally trained and accredited Intimacy Coordinator and Director working across stage and screen. At Belvoir, she has worked on At What Cost?, Miss Peony, The Cherry Orchard, The Master & Margarita, and Big Girls Don’t Cry. Her other theatre credits include; Flat Earthers, Naturism, and Sex Magick with Griffin Theatre Company; Chicago, The Rocky Horror Show and Wicked with Crossroads Live; Alone It Stands, Uncle Vanya, ARIA, and The Glass Menagerie with Ensemble Theatre Company; Ride The Cyclone, Zombie! and The Pirates of Penzance with Hayes Theatre Company; Amadeus, RENT, 2025 Winter and 2026 Summer Seasons with Opera Australia; and Circle Mirror Transformation, Dear Evan Hansen, The Shiralee, The Talented Mr Ripley, 4000 Miles, and The Tempest for Sydney Theatre Company.

Chloë’s film credits include Send Help, Play Dirty, Bump Christmas and I Know What You Did Last Summer. Her television work includes Heartbreak High, Bump, Colin From Accounts, NCIS: Sydney, Strife, The Lost Flowers of Alice Hart, The Twelve, Last King of the Cross, The Artful Dodger, North Shore, Playing Gracie Darling, The Last Anniversary and Return To Paradise.

She received the Australian Entertainment Mo Award for Female Musical Theatre Performer in 2004, the Helpmann Award for Best Female Actor in a Musical in 2005, the Sydney Theatre Awards for Best Actress in a Supporting Role in 2005, and the Victorian Green Room Association Awards for Best Leading Female Artist in Music Theatre in 2005.

Lillian Hannah U 余幸霖

Bronte MacInnes