Koreaboo

Michelle Lim Davidson

Jessica Arthur

Jess Arthur is one of the most prolific main-stage theatre directors. Her productions include The Wolves for Old Fitz and subsequent 2019 Belvoir season. Jess was Resident Director at Sydney Theatre Company 2018 – 2022, directing productions Chalkface, The Tenant Of Wildfell Hall, Wonnangatta, Banging Denmark, Mosquitos and Home I’m Darling.

Jessica also worked as Assistant Director on The Harp In The South Part I and Part II, Dinner, Chimerica and Endgame for Sydney Theatre Company, as well as Miss Julie for the Melbourne Theatre Company.

Her most recent production was the world premiere of The Dictionary of Lost Words for State Theatre Company South Australia and Sydney Theatre Company, which had a sell-out season in 2023 and a return season in Melbourne 2024.

Michelle Lim Davidson

Heather Jeong

Mel Page

Mel is a set and costume designer.

Costume designs for Belvoir St Theatre include: Japser Jones, Ivanov, Kill The Messenger, Seventeen, Nora, The Glass Menagerie, A Christmas Carol, Elektra/Orestes, The Government Inspector, Hamlet, Angels In America, & Strange Interlude. Set & Costume designs include: Taste Of Honey, Enemy Of The People, Back At The Dojo, Medea and Small & Tired.

Opera designs include costumes for Lear & Médée for Salzburg Festival; Die Tote Stadt for Bayerisch Staatsoper & Theater Basel and Pelleas Et Melisande for Den Norske Opera & Ballet.

Other theatre credits include costumes for Engel In Amerika for Theater Basel; Drei Schwestern for Theater Basel & L’Odeon; Cat On A Hot Tin Roof, Mary Stuart Les Liasions Dangereuses and Baal for Sydney Theatre Company; La Pompeii for Malthouse Theatre and Complexity Of Belonging for Chunky Move. Set and costume designs include: Lethal Indifference for Sydney Theatre Company; Night Maybe for Theatreworks; Minnie & Liraz and The Apocalypse Bear Trilogy for Melbourne Theatre Company.

Mel was the proud recipient of the 2016 George Fairfax Memorial Award, and has won a Sydney Theatre Award.

Kate Baldwin

Kate Baldwin is a disabled, Japanese-Australian lighting designer, who lives and works on the lands of the Gadigal and Wangal people of the Eora Nation.

Since graduating from NIDA in 2019, some of her credits as Lighting Designer include: Forgetting Tim Minchin (25A); Girl Band (National Theatre of Parramatta and New Ghosts Theatre Company); Lose to Win (Red Line Productions); The Great Australian Play (Red Line Productions and Montague Basement); Nothing (National Theatre of Parramatta), Tom at the Farm (KXT); Albion (New Ghosts Theatre Company, Secret House & Seymour Centre); Top Coat (Sydney Theatre Company); The Box Show (Critical Stages Touring & Junkyard Beats); Guards at the Taj (National Theatre of Parramatta); Chewing Gum Dreams (Green Door Theatre Company and Red Line Productions); seven methods of killing kylie jenner (Darlinghurst Theatre Company and Green Door Theatre Company); and House at Boundary Road, Liverpool (Bontom).

She completed a residency at Sydney Theatre Company as Design Associate (Lighting) in 2021 and 2022. She was also a part of Ka-llective, which had residencies with PACT and CPAC in 2021 and 2022.

Brendon Boney

Brendon’s work includes At What Cost?, Belvior Theatre, The 7 Stages of Grieving, The Sydney Theatre Company- (Design Associate), Black Ties, Illbijerri Theatre- Musical Director & Composer, Winyanboga Yurringa, Black Cockatoo, Dubboo, Bangarra Dance Theatre, Gods of Wheat Street (ABC1), Redfern Now (SBS), Offspring (Network 10), Winners & Losers (Seven Network), Underbelly Chopper (The Nine Network) & Musical Contributor plus providing lead character Willie’s singing voice in Bran New Dae (2009).

Brendon Boney is a Wiradjuri/ Gamilaroi man who grew up in Wagga Wagga, New South Wales and is now based in Ettalong Beach on the Central Coast of New South Wales. He’s been a recording and performing artist touring the world for the past decade and is an APRA PDA winner. He’s performed Bluesfest Byron Bay, Woodford Folk Festival, Sydney Festival, Adelaide Fringe Festival, Brisbane Festival, Friendship Festival (Seoul, Sth Korea) & The Aussie BBQ (UK). Brendon’s written for and collaborated with artists such as PJ Harding, Jaguar Jonze, Becca Hatch, MXWLL, Tessa Thames, Xavier Dunn & Tasman Keith and his work has over 80 000 Spotify streams.

James Stibilj

Andrew Undi Lee

Sherydan Simson

Jen Jackson

Jen Jackson (she/her) is a Korean-Australian stage manager, living and working on Gadigal land, with a particular passion for new Australian work and a commitment to diversity in theatre.

After attending UNSW in a Bachelor of Arts majoring in Theatre & Performance, she continued her studies at NIDA with a degree in Technical Theatre & Stage Management. Recent productions she has stage managed include Lost in Shanghai (Contemporary Asian-Australian Performance), The Bridal Lament (Contemporary Asian Australian Performance & Performance Space), Pony (Griffin Theatre Company), End Of. (Griffin Theatre Company), Nothing (National Theatre of Parramatta), and Golden Blood (Griffin Theatre Company).

Jen hopes to help bring to life stories of all kinds that challenge, entertain, reflect, make us feel, think, and examine ourselves – the kind of stuff that made her fall in love with theatre in the first place.

Geita Goarin