A Room of One’s Own

Archived

A Room of
One’s Own

  • 6 – 23 May 2021 Upstairs Theatre
  • 1 hr 25 mins No interval
Archived

A Room of
One’s Own

Written by Virginia Woolf
Adapted for the Stage by Carissa Licciardello & Tom Wright
Directed by Carissa Licciardello

  • Venue Upstairs Theatre
  • Dates 6 – 23 May 2021
  • Duration 1 hr 25 mins No interval
  • Accessibility
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  • Content warning

    A Room of One’s Own contains nudity.

    Should you wish to speak to a member of staff regarding running times, content warnings or any other show related queries, our box office can be contacted on 02 9699 3444.

BACK BY POPULAR DEMAND.

It started as a lecture to a group of students in the nineteen-twenties, and became one of the finest pieces of writing in the last hundred years. Wise, witty, passionate, incisive, the story of women writers and the rooms in which they write.

Carissa Licciardello’s impressive mainstage debut brought the famous essay into bold theatrical clarity, with a virtuosic central performance by Anita Hegh. Now a limited chance for those who missed out.

A superb text for performance.

The Australian

[Anita] Hegh is superb.

LIMELIGHT
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…nothing less than transcendental.
Sydney Morning Herald

PRICES

  • Full Price (Adult)^ $68 – $89
  • Mates Rates (Adult) $63 – $79
  • Senior* $58 – $79
  • Concession $48 – $69
  • 30-Down# $46 – $61
  • Previews $51 – $56
  • Student Saver# $33 – $48

~ Bookings of 10+ full price adult tickets receive a $10 discount per ticket.
^ Tickets to Saturday and Sunday performances may have an added $5 surcharge.
* Seniors prices are available with an eligible Australian Government-issued Seniors Card.
† Concession prices are available with a full-time student card, Centrelink Pensioner concession card, Veterans’ Affairs cards, and to members of Actors Equity (MEAA), and ArtsHub, and HotHouse Theatre Subscribers.
# 30-Down and Student Saver prices are available for Previews, Tuesday evening, Wednesday evening, Thursday evening, Friday evening, and Saturday matinees.

To claim any concessions you must provide proof.

Full ticket terms and conditions can be found on the Ticket Prices page.

*Based on weekend evening general release ticket price.

TEAM

  • Virginia Woolf
    Writer
  • Carissa Licciardello
    Adaptor & Director
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    Carissa Licciardello is a Resident Director at Belvoir. She was previously an Artistic Associate for the company and its inaugural Andrew Cameron Fellow. She graduated from NIDA’s Directing course in 2017. Her credits include: for Belvoir – as Director/Co-Adaptor, A Room of One’s Own; as Associate Director, Fangirls 2019; as Assistant Director, Counting & Cracking; Ghosts. For Sydney Theatre Company, as […]

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  • Tom Wright
    Adaptor
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    Tom has written a number of award-winning plays and adaptations, including The Resistible Rise of Arturo Ui, The Real and Imagined History of the Elephant Man, Picnic at Hanging Rock, The Caucasian Chalk Circle, The War of the Roses, The Lost Echo, Lorilei, Medea, Babes in the Wood, Baal, Optimism, On the Misconception of Oedipus, […]

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  • Cast

  • Anita Hegh
    Virginia Wolf

    Anita is a multi-award-winning performer whose credits include national and international theatre, film and television roles. A graduate of NIDA, Anita has worked extensively within the theatre industry with selected credits including Twelfth Night, The Wild Duck and The Seagull (Belvoir). Other theatre credits include A Cheery Soul, Harp in the South and The Resistible […]

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  • Ella Prince
    Woman

    Ella holds a BA (Hons) Acting from the Royal Academy of Dramatic Art in London. Sydney theatre credits include Family Values (Griffin Theatre Company), Chorus, 4.48 Psychosis, The Shadow Box (Old Fitz Theatre), You’ve Got Mail (Griffin Theatre for Batch), A Girl Is a Half-Formed Thing, Rotterdam (Kings Cross Theatre), Safe (Old 505 Theatre), Arachnid […]

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  • Creatives

  • David Fleischer
    Set & Costume Designer
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    David (he/him) is a designer working with leading theatre, dance and opera companies across Australia. His work has been hosted by prominent arts festivals, and has toured extensively both nationally and abroad. His most recent credits include Impermanence, Ab Intra and Ocho for Sydney Dance Company; Opening Night and A Room Of One’s Own for […]

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  • Kelsey Lee
    Lighting Designer
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    Kelsey is a lighting, set and costume designer for theatre and film. Lighting design credits include Blue (Belvoir), as associate lighting designer, A Room of One’s Own (Belvoir); Extinction of The Learned Response, Skyduck, Kasama Kita (Belvoir 25A); Sex Magick and Whitefella Yella Tree as co-designer(Griffin Theatre Company); Comedy of Errors (Bell Shakespeare); Unqualified 2: Still Unqualified, A Letter for Molly, Killing Katie and Outdated (Ensemble Theatre); Queen Fatima (NTofP with Sydney Festival); April Aardvark (ATYP); Good Dog, If We […]

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  • Alice Chance
    Composer
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    Alice Chance (she/her) is a sought-after composer, conductor, arranger, vocalist, and lyricist. A three-time finalist in the APRA Art Music Awards for Vocal/Choral Work of the Year, Alice has worked with ensembles including Sydney Symphony Orchestra, Sydney Children’s Choir, Gondwana National Indigenous Children’s Choir, Ensemble Offspring, The Song Company, and Moorambilla Voices, with whom she […]

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  • Paul Charlier
    Sound Designer
  • Luke McGettigan
    Stage Manager
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    Luke is Belvoir’s Resident Stage Manager. For Belvoir, he has stage managed Holding the Man, Master and Margarita, The Weekend, Scenes from the Climate Era, Blessed Union, The Jungle and the Sea, Tell Me I’m Here, Opening Night, The Boomkak Panto, Stop Girl, My Brilliant Career, A Room of One’s Own, Packer & Sons, Things […]

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  • Ayah Tayeh
    Assistant Stage Manager
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    Born on Wurundjeri land and currently working on Gadigal land, Ayah is a stage manager with a passion for new work and diverse storytelling. Her Belvoir credits include: The Boomkak Panto (2021), A Room of One’s Own (2021) and My Brilliant Career (2020). Other credits include: 7 Methods of Killing Kylie Jenner (Darlinghurst Theatre Company), […]

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