The 2020 Balnaves Foundation Aboriginal and Torres Strait Islander Fellowship
The Balnaves Foundation and Belvoir are committed to supporting new work by Aboriginal and Torres Strait Islander theatre artists.
In 2020 the Fellowship continues to evolve to meet the needs of the artistic community. The Fellowship is open to playwrights to write a new play and also to directors or writer/directors that can lead the creation of an Indigenous-led new stage work, whether that be a new play, an adaptation or through a devised process. It also includes an invitation to have a voice in Belvoir’s artistic decision-making.
The Fellowship model will see the selected Fellow (playwright or director or writer/director) receive $25,000 over a year-long period to create a new work, and to spend time over 10 months (equivalent two days per week) in 2020 as a resident artist at Belvoir, subject to negotiation with the Fellow’s availability and location.
In addition to the financial support for the Fellow, resources will also be provided to the project being developed. Creative milestones, placement within Belvoir, resourcing and collaboration will be discussed with the selected Fellow.
The Fellowship model seeks to be deeply collaborative and to support the selected Fellow to create a work for the stage, engage the Fellow in the experience of being in a company structure, and offers the opportunity to support other Indigenous artists through Belvoir’s creative development and programming processes.
Expressions of interest will be accepted from creatives of Aboriginal and/or Torres Strait Islander descent who are writers or writer/directors or directors who have a new theatre work they wish to bring to life.
Expressions of interest will be considered by a panel including Indigenous and non-Indigenous artists.
The Balnaves Fellowship (previously the Balnaves Award) has long been recognised as one of the most prestigious playwriting awards in Australia, attracting entrants of the highest calibre. Previous recipients (including Leah Purcell, Nakkiah Lui, Ursula Yovich and Nathan Maynard) have submitted exceptional works that consistently affirms the depth of talent amongst our nation’s Aboriginal and Torres Strait Islander theatre-makers.
In 2018, the fellowship was awarded to Kodie Bedford, including a residency at Belvoir to develop her play CURSED!.
Since 2011 The Balnaves Foundation has supported the presentation of two Indigenous-led works per year as part of Belvoir’s annual season. The Balnaves Foundation is committed to working towards reconciliation and has supported numerous Indigenous arts projects including the creative development of I Am Eora and Black Diggers for Sydney Festival.
The 2019 Balnaves Foundation Aboriginal and Torres Strait Islander Fellowship has been awarded to playwright and Trawlwoolway, Pakana/Palawa man from Lutrawita/Tasmania, Nathan Maynard.
Applications close 28 August.
The Writers’ Lab for Early-Career Playwrights supported by the Oranges & Sardines Foundation
The NSW Philip Parsons Fellowship for Emerging Playwrights and Memorial Lecture commemorate the life’s work of Philip Parsons AM (1926-1993). Dr. Parsons was an influential teacher and mentor to many of the students, scholars, actors, directors and playwrights who created the new wave of theatre and drama in the 1970s. Both the Fellowship and Lecture have been a part of artist development activities at Belvoir since 1996.
The Philip Parsons Fellowship has been given to an early career playwright with a strong and unique theatrical voice. The Fellowship has been an integral part of Belvoir’s ongoing artistic development activities and commitment to new Australian work.
In 2019, the fellowship is evolving to take on an exciting new shape by becoming a 12 month development lab for 7 individual participants made up of 6 writers (or co-writing teams) and one story developer / dramaturgical / directorial participant. Lab participants will work with Belvoir across the 12-month period through 2020 in order to develop a new work.
Historically, the Philip Parsons Fellowship has attracted the highest calibre of young Australian playwrights. Many Fellowship recipients have developed commissions that have been highly acclaimed. Productions include Is This Thing On? by Zoë Coombs Marr, The Seed by Kate Mulvany and The Great Fire by Kit Brookman.
Applicants for the Philip Parsons Writers Lab for Early-Career Playwrights must be in the first eight years of their professional practice and must either live in New South Wales or have had their work presented in New South Wales in the last 24 months.
This years’ participants are as follows:
The Writer’s Lab for early-career playwrights is supported by the Oranges & Sardines Foundation.
2018 – Kendall Feaver
2017 – Emme Hoy
2016 – Holly Austin, Adriano Cappelletta & Jo Turner (writing team)
2015 – Nakkiah Lui and S.Shakthidharan
2014 – Julia-Rose Lewis
2013 – Ian Meadows
2012 – Kit Brookman
2011 – Zoe Coombs Marr
2010 – Matthew Whittet
2009 – Tahli Corin
2008 – Khoa Do
2007 – Tommy Murphy
2006 – Patrick Brammall and John Leary
2005 – Brendan Cowell
2004 – Kate Mulvany
The Andrew Cameron Fellowship
The Andrew Cameron Fellowship is a position within the company for an emerging theatre-maker with a demonstrated portfolio of high quality work. The fellowship is supported by and in honour of our former Chair, Andrew Cameron AM. The Fellowship acts as an Associate Artist position in the core Belvoir Artistic and Programming team.
“I’m passionate about succession in the arts and I believe it is essential for the industry’s ongoing success that emerging leaders have the opportunity to work within thriving companies like Belvoir,” said Cameron. “It’s no mistake that many Artistic Directors come from more junior positions in programming teams as there is no replacing that hands-on experience.”
The Andrew Cameron Fellow works alongside senior artists at Belvoir over a two year period. They will work across all of the company’s artistic and programming work, from the development of new work to season programming.
“Opportunities like these are rare in Australian theatre, but they’re invaluable,” said Flack. “Whether you’re an actor wanting to move into artistic leadership or a young director with big ambitions, the chance to sit inside a company is a special thing – to eavesdrop on great artists, to see the connections between the work and the business – it’s stuff you can’t learn any other way. We hope this will set us up for the future.”
Applications for the Andrew Cameron Fellowship are currently closed and are planned to open again mid 2021.